Artifacts from the Archives

We are offering a FREE 349-page pdf compendium of Raymond Scott artifacts and ephemera, including previously uncirculated historic material. The contents of Artifacts from the Archives are intended as informational supplements to the Scott albums Three Willow Park, Manhattan Research Inc., and Soothing Sounds for Baby.

The chronological, annotated documents and images spotlight Scott’s career in the field of electronic music, from his 1920s Brooklyn high school days to his 1980s post-Motown years in Los Angeles. Much of the content focuses on Scott’s most productive period, from 1958 (when he began working on electronic music full-time) to 1972 (his first year at Motown). The collection features Scott’s handwritten and typed technical notes, photographs, sketches, correspondence, art, schematics, patents, circuit diagrams, vintage news articles, and family ephemera. The pdf is offered for download in two formats: high resolution (for viewing and printing), and reduced resolution, suitable for paging through on-screen.

Raymond Scott Songbook (the Video)

Our friend and fellow Scott scholar Takashi Okada, of Tokyo, has produced a 3-1/2-minute video showcasing THE RAYMOND SCOTT SONGBOOK, which he produced in cooperation with the Scott estate.



This is part 1 of a 2-part series; part 2 next week.

"Machines should do the work ..."

"... People should do the thinking."

That proclamation helped make the case for 1967's IBM MT/ST, an early word processing unit heralded in "The Paperwork Explosion," which appears on the Raymond Scott electronica collection, Manhattan Research Inc.

Scott loved technology and embraced most such advances. He might be surprised, yet delighted to know that his collected recorded legacy stored at UMKC's Marr Sound Archive is about to be gobbled up by a giant robot.

Chuck Haddix, director of the Marr Sound Archives, which houses the
Raymond Scott disc & tape collection. Photo courtesy Kansas City Star.

As reported in the Kansas City Star:

Chuck Haddix strolled up and down the aisles between the towering stacks of recordings stored at the Marr Sound Archives, in the ground floor of Miller Nichols Library at the University of Missouri-Kansas City. Being surrounded by the treasure-filled shelves — rows and rows of radio broadcasts and music recordings on vinyl, shellac, acetate, metal and glass — seemed to flip a switch in Haddix, and he couldn’t stop talking about the sound locked in the grooves of the preserved discs. 

“During World War II when aluminum was scarce, record discs were made of glass,” Haddix, the archives’ director, said. Aluminum, then later glass, formed the interior of records covered with cellulose nitrate, sometimes known as lacquer, which was grooved with the recording. 

Because glass discs were easily broken, the ones tucked carefully into acid-free jackets on the Marr archives’ shelves are rare. 

But in a few more years, this scene won’t exist. The thousands of discs — one of the largest archived collections of recorded sound in the country — are being relocated to the library’s third floor, where they will be housed in the university’s gargantuan, robotic storage unit.

Here's a short (6 minutes) documentary about the Marr Sound Archives, One Room, 317,000 Records, by Jordan Kerfeld.

MAD Magazine-style parody from 1955

The April 1955 issue of the Charlton Comics answer to MAD magazine parodies Raymond Scott as "Raymond Scat," along with his NBC television co-stars, including Scott's wife, as "Dorothy Collars."

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New Deluxe 2-CD Box Set from Japan

The new 2-CD set titled "SONGBOOK" from Daisyworld in Japan includes previously unreleased vintage recordings, with a second disc of new covers by Benoît Charest featuring Kid Koala, Optiganally Yours, Jean-Jacques Perrey & Dana Countryman, Ego Plum, Mint-Lee & many more. The deluxe box-set package designed & produced by Takashi Okada comes with a 100-page book packed with photos & info, replica reprints of classic sheet music, posters, and ephemera, and is housed in a retro-inspired 7-inch tape-reel box. ORDER here, and please note: prices include shipping from Japan for this unique collectors item.

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75 Years of Wooden Indians

On this date 75 years ago, Raymond Scott returned to CBS studios with his 6-man 'Quintette' to record "War Dance For Wooden Indians." This hit tune was released in 1937, and is consecrated into several classic LOONEY TUNES shorts including "The Odor-able Kitty," "Tom Tom Tomcat," "A Peck o' Trouble," and "Bye, Bye Bluebeard." Download the vintage Columbia recording from the iTunes store, or Amazon, and watch one of our favorite covers here:

It's Alive: Electronium Restoration Update

Yesterday I received an email from Darren Davidson, who is attempting to restore the Motown Electronium:

On Nov 28, 2012, at 1:18 PM, Darren Davison wrote:

Good Morning!
 
Last night a few Electrical/Engineering friends of mine and I were trying to get to the bottom of why the Electronium would still not utter a sound. After about an hour of tinkering and following the initial setup procedure Raymond wrote up, the machine began to make very simple and crude sounds. We recorded the sounds and although they are hardly musical, it is a fantastic milestone.
 
Most of the tone generators, but of course, there are more questions than answers. The voltages delivered by the power supplies are still not quite right and many of the pot switches are so sticky, that adjusting them is like steering a car in ice with a flat tire. The recording and "Auto-composing" portion is still not working and my feelings were "just get it to make some kind of controllable sound" first, then work on getting fancy.
 
I am sure this will accelerate things, and I have been in contact with Alan Entenman and am sending him photos of the internals of the Electronium in hopes of refreshing his memory of how some of it should work on the recording and keyboard side.
 
Anyway, I am hoping that by March, even if it is not recording or auto composing, the sounds are less harsh and that some of the other features such as the "Bass generators, "counterpoints", and other features are working.
 
I will send a copy of the sound files as soon as I can, most likely this evening. It's on the Engineering guys phone and he is having trouble sending vide for some reason. The whole thing was recorded on an Iphone and there is a 4 min? video of me adjusting knobs and such. In all fairness to their help, their names are Guy Lewis and Pete Levno.
 
Now I think we will start picking up steam!
 
—Darren

New release: "SUITE FOR VIOLIN & PIANO"

Raymond Scott created a diverse body of work that included jazz novelties (often considered "cartoon music"), orchestral ballads, a Broadway musical, film scores, commercial jingles, electronic miniatures, and avant-garde musique concrète. However, the Suite for Violin and Piano, composed in 1950 and never commercially released, was unique in his catalog.

The same daredevil who gave the world “The Toy Trumpet” and “Powerhouse” composed this exquisitely crafted classical jewel. True, Scott was a 1931 Juilliard grad, but the closest his prior compositions had inched towards the classics were jazzed-up reinventions of Mozart, Verdi, and Schubert.
 
The five-movement work was publicly performed just once, at Carnegie Hall in 1950, by renowned violinist Arnold Eidus and pianist Carlo Bussotti. The work was then recorded by Eidus and Bussotti, under the supervision of the composer. However, Scott did not release it commercially for reasons historically unknown.

In 2004, after Scott's widow, Mitzi, discovered the score at home, a new recording was produced by Beau Hunks Orchestra leader Gert-Jan Blom in the Netherlands, featuring violinist Davide Rossi and pianist Ramon Dor.

The two versions are now coupled on this new Basta release. The package is adorned with vintage 1940s and '50s music illustrations by noted artist Jim Flora, and features liner notes co-written by Gert-Jan Blom and Scott authority Irwin Chusid.

Producer: Gert-Jan Blom
Executive Producer: Jeroen van der Schaaf
Art Direction: Piet Schreuders
Illustrations: Jim Flora
Research: Irwin Chusid and Jeff E. Winner

On a special note, we are offering free copies of the sheet music at http://bastamusic.com/suite

• Get the CD or download from Amazon.com here, or the iTunes Store: here

New "Looney Tunes: Platinum Collection Volume Two" 3-DVD Blu-ray set

Is there a cartoon geek on your holiday shopping list? The new "LOONEY TUNES: PLATINUM COLLECTION Volume Two" 3-DVD Blu-ray set is released today. Watch side-by-side remastering comparison of "Canned Feud" — featuring Raymond Scott's hit tune, "Huckleberry Duck" — below:

Dorothy Collins: Experiment Songs

In 1961, veteran songwriters Hy Zaret and Lou Singer produced an entertaining and educational series of LPs entitled Ballads for the Age of Science. Marketed at curious youngsters, the songs explained nature, energy, motion, outer space, and weather in a variety of musical arrangements, delivered by folksingers Tom Glazer, Dottie Evans, and the husband-wife duo of Marais and Miranda.

One volume, Experiment Songs, was sung by Raymond Scott's then-wife, Dorothy Collins. In a warm, endearing voice, Collins sang about magnets, rainbows, planetary orbits, vibration, and minerals. To our ears, this is some of the most charming singing by Dorothy Collins ever captured on disc. She is accompanied by a small orchestra led by guitarist Tony Mottola (who formerly played with Raymond's big band).

The albums have long been out of print. However, earlier this year I came to an agreement with the late Hy Zaret's son Robert to reissue the series. Working with best-available source recordings, I digitally restored all six albums, which are now available at iTunes and elsewhere. We're hoping to reissue the series on vinyl at some point.

You can hear samples and purchase tracks (or the complete album) of Experiment Songs here.

New video — Mitzi Scott: "An American Girl on the Home Front"

Today would have been Mitzi Scott's 94th birthday, and in her honor I've uploaded a superb mini-documentary — watch it here <<<

Warner Bros. produced the movie, MOLLY: AN AMERICAN GIRL ON THE HOME FRONT, as part of the American Girl series. Molly is a young aspiring dancer in a small midwestern town during World War II, who passionately wants to win the starring role of "Miss Victory" in her grade school's Christmas gala tap dance review. (Cast includes Molly Ringwald.) For the DVD, they searched for an entertainer from those years, and were lucky to find Mitzi, Raymond Scott's 3rd wife: "A compelling documentary featuring Mitzi Scott, an 88-year-old former USO dancer and hostess, relaying her personal history of dancing at home and with soldiers on leave, making something personal and dear to her — dance — into the ultimate patriotic act."

The 2nd part of this Vimeo video is an excerpt from the full-length documentary film, DECONSTRUCTING DAD, with Mitzi remembering her first date with — and marriage to — Raymond Scott. [DVD info: ScottDoc.com]

Both clips were screened at the reception following Mitzi's memorial service on June 22, 2012.

Watch two new TV Spots with Hugh Jackman and Stephen Fry

Two new television spots featuring Raymond Scott's music as their soundtracks have hit the air. Hugh Jackman stars in the ad above for Lipton Ice Tea with the 1938 classic "The Penguin," while Stephen Fry, Rupert Grint of "HARRY POTTER," Michelle Dockery, and Julie Walters are seen in the commercial below for British tourism, set to the 1939 tune, "In An 18th Century Drawing Room."

"YOUR EASTER PARADE"

1956 newspaper:

"Bandleader Raymond Scott and his wife, singer Dorothy Collins, of television's 'Your Hit Parade' fame, give a preview of their Easter finery with their daughter, 2½ year-old Debbie, as they prepare in their Manhasset home to join tomorrow's Easter Parade in Nassau. The outlook is for sunny skies and mild weather tomorrow as thousands of Christians on Long Island prepare to attend special midnight and dawn services to celebrate the most joyous of all Christian holidays."

Happy day of technicolor hen-fruit

Multimedia Presentation in Philadelphia

From BowerBird.org:

To commemorate the 75th Anniversary of Raymond Scott's music, Jeff E. Winner of the Scott archives presents the life of the late composer and inventor with rare audio and video. This evening will include a 60 minute presentation by Winner and a complete screening (100 minutes) of the documentary, “DECONSTRUCTING DAD: The Music, Machines and Mystery of Raymond Scott.” The award-winning film, which Winner co-produced and appears in, features interviews with movie music composer John Williams ("Star Wars"), Mark Mothersbaugh of Devo, and DJ Spooky aka Paul D. Miller, as well as Raymond Scott's family, colleagues, and archival footage of Scott himself.

Jeff E. Winner is a music producer, historian, and researcher specializing in early electronica. He has written for the Oxford University Press "Grove Dictionary Of American Music," the MIT Press anthology "Sound Unbound" with Chuck D of Public Enemy, Moby, Scanner, and Steve Reich, features in "Electronic Musician" magazine, and liner notes for the DVD/CD series "OHM: The Early Gurus Of Electronic Music" with Sonic Youth, Bob Moog, John Cage, and Brian Eno. Mr. Winner was also editor and interviewer for "WE ARE DEVO," the band's only biographical book (Firefly Press).

• THIS EVENT IS FREE. Friday, March 16th, at 8pm. DETAILS: here

UPDATE: Irwin Chusid is now planning to join me for this event and participate.

JOHN WILLIAMS: Watch Exclusive Video

Movie music maestro John Williams turns 80 years-old today. To celebrate, I'm releasing never-before-seen footage of Williams remembering Raymond Scott. This rough footage was shot by me, Jeff Winner, while Stan Warnow (Scott's son) and I interviewed John Williams at Tanglewood, in Massachusetts, on August 4th of 2008. Some of Stan's professional camera footage appears in the new feature-length, award-winning documentary film, "DECONSTRUCTING DAD," but this segment has never been seen before. Watch here <<<

From Wiki: John Williams was born on February 8, 1932 in Long Island, New York, the son of Esther and John Williams, Sr. (aka Johnny Williams). His father was a jazz percussionist who played with The Raymond Scott Quintette.

John Towner Williams is an American composer, conductor, and pianist. In a career spanning almost six decades, he has composed some of the most recognizable film scores in the history of motion pictures, including the Star Wars saga, Jaws, Superman, the Indiana Jones films, E.T. the Extra-Terrestrial, Hook, Jurassic Park, Schindler's List, Home Alone, and the first three Harry Potter films. He has had a long association with director Steven Spielberg, composing the music for all but two of Spielberg's major feature films.

Other notable works by Williams include theme music for four Olympic Games, NBC Sunday Night Football, the NBC Nightly News, the rededication of the Statue of Liberty, the DreamWorks Pictures production logo, and the television series Lost in Space. Williams has also composed numerous classical concerti, and he served as the principal conductor of the Boston Pops Orchestra from 1980 to 1993; he is now the orchestra's conductor laureate.

Williams has won five Academy Awards, four Golden Globe Awards, seven BAFTA Awards, and 21 Grammy Awards. With 47 Academy Award nominations, Williams is the second most nominated person, after Walt Disney. John Williams was honored with the prestigious Richard Kirk award at the 1999 BMI Film and TV Awards. The award is given annually to a composer who has made significant contributions to film and television music. Williams was inducted into the Hollywood Bowl Hall of Fame in 2000, and was a recipient of the Kennedy Center Honors in 2004.

On this date, Raymond Scott passed away at age 85: THE NEW YORK TIMES obituary

On this date in 1994 Raymond Scott passed away at age 85 — obituary from THE NEW YORK TIMES:

RAYMOND SCOTT, 85, COMPOSER

FOR CARTOONS AND THE STAGE, DIES

By William Grimes

Published: February 09, 1994

THE NEW YORK TIMES

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Raymond Scott, a jazz composer, pianist, band leader and inventor whose music found its way into dozens of Warner Brothers cartoons, died yesterday in the Country Villa Sheraton Nursing Home in North Hills, Calif. He was 85 and lived in Van Nuys, Calif.

The cause was pneumonia, said Irwin Chusid, the director of the Raymond Scott Archives in Hoboken, N.J.

Mr. Scott, whose original name was Harry Warnow, was born in Brooklyn to Russian immigrants. His father was an amateur violinist who owned a music shop. Mr. Scott played piano from an early age but planned to study engineering at Brooklyn Polytechnic Institute. His older brother, Mark, a violinist and conductor, steered him to the Institute of Musical Art (later renamed the Juilliard School) by offering to pay his tuition and buying him a Steinway grand piano.

Songs of Quirky Humor

After graduating from the institute in 1931, he was hired as a pianist for the CBS Radio Orchestra, which his brother conducted. When not performing, he composed quirky comic tunes, with evocative musical effects, like "New Year's Eve in a Haunted House," "Dinner Music for a Pack of Hungry Cannibals" and "War Dance for Wooden Indians."

In late 1936, he changed his name to Raymond Scott and formed a six-man jazz group (he insisted on calling it a quintet) that performed his compositions and achieved considerable popularity for two years. In the 1940's Mr. Scott led several of his own orchestras.

In 1943, Carl Stalling, the music director of Warner Brothers, began incorporating Mr. Scott's evocative music into the "Looney Tunes" and "Merrie Melodies" cartoons. His quintet's music from the late 30's is now used as background music for "The Ren and Stimpy Show" on Nickelodeon.

Mr. Scott composed the music for the 1946 Broadway show "Lute Song," composed and performed music for films, and led the band on the television program "Your Hit Parade" from 1950 to 1957.

Early Synthesizer

In the late 1940's, he turned his hand to inventing electronic instruments, such as the Karloff, a machine that imitated sounds like kitchen noises, the sizzle of a frying steak, or a cough. Another of his inventions was the Clavivox, a keyboard instrument that imitated the sound of the human voice. He also created an early version of the synthesizer.

In the 1970's, Berry Gordy Jr., who had seen some of Mr. Scott's electronic instruments, hired him to head the electronic music division of Motown Records. After retiring in 1977, Mr. Scott continued to experiment with electronic instruments.

His best-known compositions were recently released by Columbia on "The Music of Raymond Scott: Reckless Nights and Turkish Twilights."

Mr. Scott's first two marriages, to Pearl Winters and the singer Dorothy Collins, ended in divorce.

He is survived by his third wife, Mitzi; three daughters, Carolyn Makover of Fairfield, Conn., Deborah Studebaker of Los Angeles, and Elizabeth Adams of Watervliet, N.Y.; a son, Stanley, of Mamaroneck, N.Y., and 10 grandchildren.

"J Dilla Changed My Life"

Happy birthday to the late James Dewitt Yancey, aka Jay Dee, and J Dilla, who would have been 38 years-old. NPR said the Detroit-based producer and rapper was "one of the music industry's most influential hip-hop artists," working with De La Soul, Busta Rhymes, A Tribe Called Quest, Janet Jackson, Macy Gray, Common, The Roots, D'Angelo, and Erykah Badu. Dilla released his solo album, DONUTS — which he wrote and recorded while in and out of the hospital — only 3 days before his tragic passing in 2006 at age 32. (He'd been battling Lupus for 3 years.) 

DONUTS features several samples from Raymond Scott's vintage electronic tracks, including "The Tomorrow People," and "Melonball Bounce." But, as the LA TIMES reported this morning, "one of Dilla's most accomplished works comes via the idiosyncratic use of the Raymond Scott composition 'Lightworks,'" which has since been re-reworked by Q-Tip, Talib Kweli, MF Doom, Peanut Butter Wolf, Questlove, and Busta Rhymes. Along with other modern artists who cover Scott tunes (Gorillaz, El-P, Madlib), Dilla's work steers new fans to Raymond's originals. And like Scott, Dilla was a studio pioneer whose music and influence lives on. The J Dilla Foundation is hosting a series of global tribute concerts during the coming week, with Busta Rhymes and others. Info: here

LEONARD BERNSTEIN Arrangements: "2 Pianos, 4 Hands"

In 1943, LEONARD BERNSTEIN wrote this piano duet arrangement of Raymond Scott's 1938 hit tune, "In An 18th Century Drawing Room," published under Bernstein's pseudonym Lenny Amber. (Bernstein is a German and Jewish name meaning "amber.") Bernstein, who, according to THE NEW YORK TIMES, was "one of the most prodigiously talented and successful musicians in American history," also arranged versions of Scott's classics, "Huckleberry Duck," "The Toy Trumpet," "The Penguin," and "Powerhouse," seen below:

The Book of Drugs

Mike Doughty, a prolific multi-tasker who issued 2 new albums in recent months, has published his compelling memoir, THE BOOK OF DRUGS. As the press-release states, it features "cameos by Redman, Ani DiFranco, the late Jeff Buckley, and others." The book also mentions the Raymond Scott sample loops that Doughty memorably incorporated to great effect into 3 songs with his 1990s band, Soul Coughing. Excerpts, detailing tensions with his former bandmate:

• • • • •

"There's two ways to play the sampler," the sampler player said, "as a conventional keyboard, or to trigger sound effects." I hoped I could convince him otherwise.

I brought some CDs over to his house. There were a bunch of sounds I wanted him to use: Howlin' Wolf, the Andrew Sisters, Toots and the Maytals, The Roches, Raymond Scott, Grand Puba, a cast recording of Guys and Dolls.

His house was so organized, it made me feel weird. He had a master's degree in composition from an uptown conservatory and was well inculcated in the conservatory mind-set — he called rock drummers "percussionists" and used terms like sforzando when discussing how to best approach a rhythm that I'd ripped off from Funkdoobiest. ...

The repetitions of dance music were foreign to him. "You mean, you want me to play this over and over again?" he asked in rehearsal.

"Yo, G," said the drummer, "just hold down that there key with some duct tape."

He was too proud for the duct-tape maneuver, but he became OK with the repetition. ...

There's another interview out there that I can't find: the interviewer mentions the Howlin' Wolf sample, Andrew Sisters sample, the Raymond Scott sample, and he asks the sampler player what makes for a great sample. The sampler player answers at length, and quite pedantically, about how he selects and manipulates them. But wait — though certainly the guy's fantastic at what he does, no question — the interviewer guy's talking about samples that I came up with.

• • • • •

Hear & See:"All Around The Christmas Tree"

Raymond Scott's first hit was "Christmas Night In Harlem," written in 1934 at age 25. His second holiday tune, "All Around The Christmas Tree," released on Columbia Records, accompanied this special illustrated songbook section of the December 1940 issue of Coronet magazine. The label credits the performance to Scott's "New Orchestra," with vocalist Clyde Burke. Listen to this rare song here, and click the images below for full-sized views to read the intro and sing along with the lyrics: