DOWN BEAT magazine, 1940: "Merry Christmas& Happy New Year from Raymond Scott!"

Amber Alert

"Bernstein," a German name, means "amber" in English. In the early 1940s, a young composer-conductor in New York working under the pseudonym "Lenny Amber" produced piano transcriptions and arrangements of popular tunes. Among the titles arranged by young "Lenny" Bernstein are four compositions by Raymond Scott: "Powerhouse," "The Penguin," "Toy Trumpet," and "In an 18th Century Drawing Room." The sheet music is available for FREE download at RaymondScott.net. You can access the complete folder of Scott works arranged for piano and organ here. 

Happy 105th Birthday to Raymond Scott

105 years ago today, Raymond Scott was born in Brooklyn, NY — listen to "Happy Birthday To You" by Raymond Scott & His New Orchestra, vocal by Clyde Burke, 1940:

New release: "SUITE FOR VIOLIN & PIANO"

Raymond Scott created a diverse body of work that included jazz novelties (often considered "cartoon music"), orchestral ballads, a Broadway musical, film scores, commercial jingles, electronic miniatures, and avant-garde musique concrète. However, the Suite for Violin and Piano, composed in 1950 and never commercially released, was unique in his catalog.

The same daredevil who gave the world “The Toy Trumpet” and “Powerhouse” composed this exquisitely crafted classical jewel. True, Scott was a 1931 Juilliard grad, but the closest his prior compositions had inched towards the classics were jazzed-up reinventions of Mozart, Verdi, and Schubert.
 
The five-movement work was publicly performed just once, at Carnegie Hall in 1950, by renowned violinist Arnold Eidus and pianist Carlo Bussotti. The work was then recorded by Eidus and Bussotti, under the supervision of the composer. However, Scott did not release it commercially for reasons historically unknown.

In 2004, after Scott's widow, Mitzi, discovered the score at home, a new recording was produced by Beau Hunks Orchestra leader Gert-Jan Blom in the Netherlands, featuring violinist Davide Rossi and pianist Ramon Dor.

The two versions are now coupled on this new Basta release. The package is adorned with vintage 1940s and '50s music illustrations by noted artist Jim Flora, and features liner notes co-written by Gert-Jan Blom and Scott authority Irwin Chusid.

Producer: Gert-Jan Blom
Executive Producer: Jeroen van der Schaaf
Art Direction: Piet Schreuders
Illustrations: Jim Flora
Research: Irwin Chusid and Jeff E. Winner

On a special note, we are offering free copies of the sheet music at http://bastamusic.com/suite

• Get the CD or download from Amazon.com here, or the iTunes Store: here

New video — Mitzi Scott: "An American Girl on the Home Front"

Today would have been Mitzi Scott's 94th birthday, and in her honor I've uploaded a superb mini-documentary — watch it here <<<

Warner Bros. produced the movie, MOLLY: AN AMERICAN GIRL ON THE HOME FRONT, as part of the American Girl series. Molly is a young aspiring dancer in a small midwestern town during World War II, who passionately wants to win the starring role of "Miss Victory" in her grade school's Christmas gala tap dance review. (Cast includes Molly Ringwald.) For the DVD, they searched for an entertainer from those years, and were lucky to find Mitzi, Raymond Scott's 3rd wife: "A compelling documentary featuring Mitzi Scott, an 88-year-old former USO dancer and hostess, relaying her personal history of dancing at home and with soldiers on leave, making something personal and dear to her — dance — into the ultimate patriotic act."

The 2nd part of this Vimeo video is an excerpt from the full-length documentary film, DECONSTRUCTING DAD, with Mitzi remembering her first date with — and marriage to — Raymond Scott. [DVD info: ScottDoc.com]

Both clips were screened at the reception following Mitzi's memorial service on June 22, 2012.

New Spaced-Out 2-track Single: "By Rocket To The Moon"

Fasten your safety-belt — we're going by rocket to the moon. 20 years before NASA landed the first man on the moon, Raymond Scott and his quintet made this children's record, with narration, featuring five educational songs sung by the Gene Lowell Chorus. Originally released in 1950, this oddity has now been been digitally remastered, for the first time, as part of our year-long celebration of the 75th Anniversary of RS's music. The b-side is the related 1949 instrumental, "Dedicatory Piece to the Crew and Passengers of the First Experimental Rocket Express to the Moon." Download from the Apple iTunes Store: here

On this date, Raymond Scott passed away at age 85: THE NEW YORK TIMES obituary

On this date in 1994 Raymond Scott passed away at age 85 — obituary from THE NEW YORK TIMES:

RAYMOND SCOTT, 85, COMPOSER

FOR CARTOONS AND THE STAGE, DIES

By William Grimes

Published: February 09, 1994

THE NEW YORK TIMES

• click above for larger view •

Raymond Scott, a jazz composer, pianist, band leader and inventor whose music found its way into dozens of Warner Brothers cartoons, died yesterday in the Country Villa Sheraton Nursing Home in North Hills, Calif. He was 85 and lived in Van Nuys, Calif.

The cause was pneumonia, said Irwin Chusid, the director of the Raymond Scott Archives in Hoboken, N.J.

Mr. Scott, whose original name was Harry Warnow, was born in Brooklyn to Russian immigrants. His father was an amateur violinist who owned a music shop. Mr. Scott played piano from an early age but planned to study engineering at Brooklyn Polytechnic Institute. His older brother, Mark, a violinist and conductor, steered him to the Institute of Musical Art (later renamed the Juilliard School) by offering to pay his tuition and buying him a Steinway grand piano.

Songs of Quirky Humor

After graduating from the institute in 1931, he was hired as a pianist for the CBS Radio Orchestra, which his brother conducted. When not performing, he composed quirky comic tunes, with evocative musical effects, like "New Year's Eve in a Haunted House," "Dinner Music for a Pack of Hungry Cannibals" and "War Dance for Wooden Indians."

In late 1936, he changed his name to Raymond Scott and formed a six-man jazz group (he insisted on calling it a quintet) that performed his compositions and achieved considerable popularity for two years. In the 1940's Mr. Scott led several of his own orchestras.

In 1943, Carl Stalling, the music director of Warner Brothers, began incorporating Mr. Scott's evocative music into the "Looney Tunes" and "Merrie Melodies" cartoons. His quintet's music from the late 30's is now used as background music for "The Ren and Stimpy Show" on Nickelodeon.

Mr. Scott composed the music for the 1946 Broadway show "Lute Song," composed and performed music for films, and led the band on the television program "Your Hit Parade" from 1950 to 1957.

Early Synthesizer

In the late 1940's, he turned his hand to inventing electronic instruments, such as the Karloff, a machine that imitated sounds like kitchen noises, the sizzle of a frying steak, or a cough. Another of his inventions was the Clavivox, a keyboard instrument that imitated the sound of the human voice. He also created an early version of the synthesizer.

In the 1970's, Berry Gordy Jr., who had seen some of Mr. Scott's electronic instruments, hired him to head the electronic music division of Motown Records. After retiring in 1977, Mr. Scott continued to experiment with electronic instruments.

His best-known compositions were recently released by Columbia on "The Music of Raymond Scott: Reckless Nights and Turkish Twilights."

Mr. Scott's first two marriages, to Pearl Winters and the singer Dorothy Collins, ended in divorce.

He is survived by his third wife, Mitzi; three daughters, Carolyn Makover of Fairfield, Conn., Deborah Studebaker of Los Angeles, and Elizabeth Adams of Watervliet, N.Y.; a son, Stanley, of Mamaroneck, N.Y., and 10 grandchildren.

LEONARD BERNSTEIN Arrangements: "2 Pianos, 4 Hands"

In 1943, LEONARD BERNSTEIN wrote this piano duet arrangement of Raymond Scott's 1938 hit tune, "In An 18th Century Drawing Room," published under Bernstein's pseudonym Lenny Amber. (Bernstein is a German and Jewish name meaning "amber.") Bernstein, who, according to THE NEW YORK TIMES, was "one of the most prodigiously talented and successful musicians in American history," also arranged versions of Scott's classics, "Huckleberry Duck," "The Toy Trumpet," "The Penguin," and "Powerhouse," seen below:

Hear & See:"All Around The Christmas Tree"

Raymond Scott's first hit was "Christmas Night In Harlem," written in 1934 at age 25. His second holiday tune, "All Around The Christmas Tree," released on Columbia Records, accompanied this special illustrated songbook section of the December 1940 issue of Coronet magazine. The label credits the performance to Scott's "New Orchestra," with vocalist Clyde Burke. Listen to this rare song here, and click the images below for full-sized views to read the intro and sing along with the lyrics:

102 Years: Happy Birthday, Raymond!

Raymond Scott was born on September 10th of 1908. Today, as we celebrate his 102nd birthday, his fans have a lot to be grateful for (including, for example, the new documentary that is currently making the film festival circuit, and soon to be a DVD release).

One Scott fan, Amy Thyr, who is also an Exotica music aficionado, and founder of TourDeTiki.com, plans to toast Raymond with a special birthday drink recipe along with 20 other partiers and Tikiphiles, tomorrow, during her TikiTour:

“We will drink a toast to Raymond Scott! We can’t forget him and all he has given us … and the world of Exotica music. Scott has been recognized as a precursor to Exotica. Several of his songs were written with the intent of transporting the listener to exotic locations by use of innovative instruments and sound effects. Twenty years before Exotica became a musical genre, Raymond Scott was mixing swing jazz and classical forms, Exotica-style sounds, and his own unique style — forming the groundwork to the atmospheric moods of the Exotica movement. Tunes such as 'Suicide Cliff,' 'Snake Woman,' 'Ectoplasm,' and several others qualify Scott as the 'great-granddaddy' of Exotica. The Exotica genre of the '50s and '60s, even today’s Exotica sounds, all have their DNA rooted in the music of Raymond Scott.”

For the toast, Ms. Thyr has prepared a drink inspired by Scott's 1940 hit tune, “Huckleberry Duck.” Amy explains her new daiquirí creation, which she has dubbed the Huckleberry Duckuirí:

Though “Huckleberry Duck” is not Exotica in the musical sense, it’s now a “tropical” drink as I made it with rum, a little lime and huckleberries … why not? So here’s to Raymond … Happy Birthday … and thanks!

Amy's recipe:

          HUCKLEBERRY DUCKUIRI

           • 2 ounces Puerto Rican rum
           • 1/2 ounce fresh lime juice
           • 1 ounce macerated huckleberries
           • Approx. 4 ounces huckleberry-flavored tea
              (any good blueberry tea may be substituted)
           • Ice cubes

          Combine the first three ingredients and shake with ice.
          Pour contents of shaker into a highball glass.
          Add huckleberry tea to half full.
          Add ice to fill glass.
          Garnish with blueberries if you like.
          [Complete recipe: here.]

ducks deluxe

So much more well-behaved than Daffy, it earned a halo: Columbia Records brochure from 1940, intended to promote a new Raymond Scott post-Quintette release, "Huckleberry Duck," which became one of the composer's best known orchestral titles. The artifact was reproduced in Alex Steinweiss, Inventor of the Modern Album Cover, a retrospective published in 2009 by Taschen Books.

Thanks to our friend Takashi Okada for the image

Shhh... John Cage & Raymond Scott

More than a dozen Raymond Scott tunes were immortalized in Bugs Bunny classics, but there's one Scott composition that was never heard in cartoons. In fact, it was never heard.

"The antics of a 13-piece orchestra made audiences fidget and giggle," TIME magazine reported more than a decade before the premiere of John Cage's famous silent composition, 4'33". "The band was going through all the motions: the swart, longish-haired leader led away; the brasses, the saxophones, the clarinets made a great show of fingering and blowing. This, explained leader Raymond Scott, was silent music."

Scott's 1941 audience didn't appreciate the stunt, however. According to Cage, his 1952 presentation also fell on deaf ears: "They missed the point. There’s no such thing as silence. What they thought was silence, because they didn’t know how to listen, was full of accidental sounds."

Raymond conducted other sensory deprivation experiments during this period. The same TIME article claimed he had learned to drive a car with his eyes closed, and that he could "take one look at a parking space, back into it without taking another; memorize a turn the first time, drive it shut-eyed thereafter. Raymond Scott still drives his band open-eyed — with results which, when audible, sound neat and crisp."

Sadly, few recordings of Scott's "Silent Music" survive, and it remains unreleased to this day. However, to any musician brave enough to attempt it we will provide charts.

Catch A Brain Wave

On Sunday, August 28th, 1949, newspapers across the globe published this article & cartoon about Raymond Scott's “brain wave” music of the future:

CHICAGO, Aug. 27 - (AP) - Some day composers won't write music, and musicians won't play it — yet fans will enjoy it in never-before-heard perfection. The composer or artist will simply project it by brain waves — "thought transference," says Raymond Scott.

BRAIN WAVES

This man, who thinks in terms of electronics and music, thinks that is all quite possible. Scott said in an interview:

"Brains put out electrical waves. I wouldn't be at all surprised if some day it were possible to do away with lines in music, such as writing it out and playing the notes. You'll just be able to think it.

"Imagine fastening electrodes to your head, inviting some people to your home and then thinking your music. If you wanted 1000 violins you could have them – and if you wanted the bass fiddle to play piccolo parts, you could do that, too."

RECORDINGS, TOO

Scott says even recordings will carry, instead of musical sound, the brain waves of the composer. No arrangers, no rehearsals.

Scott is a New Yorker who has spent most of his adult life working on new developments in his two loves, music and electronics. He maintains a permanent electronics research laboratory in New York, while he composes music and directs his bands for radio shows and night club appearances. His musical theories have always been off-beat.

Jack Lawrence

With the possible exception of the oft-recorded "Mountain High, Valley Low" from the 1946 Broadway musical Lute Song, Raymond Scott's best-known compositions are instrumental. Defiantly so, one might say. His oddly juxtaposed passages, schizoid tempos and abrupt transitions don't lend themselves to songcraft. But that didn't deter one legendary Tin Pan Alley scribe: Jack Lawrence.

Lawrence has a monumental catalog: "All or Nothing at All," "Ciribiribin," "If I Didn't Care," "Poor People of Paris," "Sleepy Lagoon," "Sunrise Serenade"—you get the picture. Not exactly a one-hit wonder.

But Scott's publisher got the bright idea that some of the composer's more appealing instrumental hits could be born-again chart-toppers if re-targeted for the 1940s karaoke market. Lawrence tried to make these novelties singable: "Boy Scout in Switzerland," "Huckleberry Duck," and "In an 18th Century Drawing Room." The Andrews Sisters recorded "18th CDR" and the Scott archives contain radio airchecks of lesser-knowns performing the other two. Heard them? We have—and cringed. They don't add much to Scott's legacy, and it's doubtful they do much for Lawrence's. These vocal versions remain justifiably obscure.

Nonetheless, happy birthday Jack — born this day in 1912.

The Raymond Scott Institute of Advanced Musical Education

Jazz trumpeter Charlie Shavers, who played in Scott's 1944 orchestra:

It was a pretty band. It wasn't a swing band and it wasn't a jazz band, it was a good band with a good bunch of guys. Scott was a little eccentric. He'd make a guy stand up and play third alto, all by himself, all the way through. And then he'd say, "Why don't you go take some lessons?" He got on my nerves a little. We'd rehearse and rehearse and rehearse. We didn't need that much rehearsal. I think he just liked to hear the band.

Quoted in The Swing Era: Vintage Years of Humor, Time-Life Records, 1971, Scott profile by Michèle Wood. Photo by Les Deutsch, 2009.

Christmas, 1942

Summit, New Jersey, Christmas 1942: The "famous Raymond Scott Quintet, featuring Dorothy Collins," performs for a "Holiday Assembly" at the Masonic Hall. Article pasted in a scrapbook along with the original RSVP invitation and four photographs of the dance, in which one can barely discern a band in the distance. The dancers appear to be well-dressed, well-behaved teens; presumably this was a high school event, though no HS is identified.

Two details worth noting:

1) The bottom paragraph references Scott's "Silent Music." This "unrecorded" work has long been part of Scott lore—a "composition" consisting of no notes, a silent performance in which the musicians go through the motions of playing without making any sounds. This was a decade before John Cage's legendary noteless work 4'33", which caused such a ruckus when it was introduced in concert by David Tudor in 1952.

2) The creepy photograph of Scott.

Thanks to Dennis Kelly for the artifact.

Learning to count

"Raymond Scott, left, sits out a session at the Village Vanguard with trombonist Benny Morton, a possible, later addition to his band. Harry Lim, who runs the jam, gives paternal advice." (Metronome, September 1942)

Let history note: this sextet had SIX players.

And because my new scanner can't execute OCR, here's a scan of the accompanying column by Barry Ulanov (click to enlarge):

Seclusionist

In Andrew Fielding's new book, THE LUCKY STRIKE PAPERS, the author recounts his 1979 interview with Raymond Scott: "I'm so much of a secluded operator — a seclusionist, I guess," said Scott, continuing: 

One of the funniest things that ever happened to me was — the very first time I went on the road with a dance band. I wasn't the type to go out to the city's nightclubs and meet with other bandleaders in town and get together where they would hang out. I never did that. I wasn't inclined that way. And one of the reports I got back from Jerry Colonna, who used to be a good friend of mine, I had worked with him at CBS. He said, "You know what I heard about you? I heard people say, 'Who the hell does he think he is, the male Greta Garbo?'"

"Famous Young Maestro & Composer of Modern Music"

THE CHICAGO DAILY NEWS published this not-so-flattering caricature of Raymond Scott, drawn by Roy C. Nelson, when Scott's orchestra swung at Chicago's Blackhawk Restaurant in 1940.

Thanks to illustrator & animation designer Shane Glines (Spumco, Warner Bros. Batman, Superman.) of CartoonRetro.com ("home to the world's largest online archive of vintage illustration, animation, comics and cartoons") for archiving this curio.

a.k.a. Barret Eugene Hansen

''I grew up with Young People's Records. 'The Funniest Song In The World' featuring Groucho Marx and 'By Rocket To The Moon' with Raymond Scott helped mold the mind of the boy who became Dr. Demento.''

— Dr. Demento (Barry Hansen), syndicated radio personality

>> listen to this 1949 record: here

Click above for info about pronouncing URANUS!