Anthropophagy Feast

On this date in 1937, Raymond Scott returned to CBS studios with his Quintette for their third session to record "Dinner Music For A Pack Of Hungry Cannibals." It was an immediate hit when it was released 79 years ago, and is immortalized in "Which Is Witch" along with at least 16 other classic LOONEY TUNES. Download the vintage Columbia recording from the iTunes store, or Amazon, and check-out this cover by Kronos Quartet, plus a live performance by Ego Plum. Below is a private rehearsal by the original Quintette, released on the 2-CD "MICROPHONE MUSIC" collection from the Basta label:

February 20, 1937

Raymond Scott music travels at various velocities. It can be delivered on LPs that spin at 33-1/3 revolutions per minute. There are a handful of rare 45 rpm singles. His electronic music was captured on tape that rolled at 3-3/4, 7-1/2, or 15 inches per second. The rotational speed of a Basta compact disc of Scott's Soothing Sounds for Baby varies from 210 rpm (outer edge) to 480 (inner edge). But Scott's music first came to prominence on fragile platters that whirled at 78 rpm.

It is therefore fitting that 78 years ago today, Raymond Scott entered a New York studio with his legendary Quintette to record his first commercial sides. It was a productive day. While no one knows how long the February 20, 1937 session lasted, by the time Scott and his cohorts mopped their brows and went home, they had recorded two timeless classics — "Minuet in Jazz" and "Twilight in Turkey" — and two immortal works — "The Toy Trumpet" and "Powerhouse." Not only were these four recordings all approved for commercial release, they are inarguably the definitive versions of all four works.

How long did it take Brian Wilson to complete Smile? Is it done yet?

Al Brackman, an associate producer for the Master label, which signed the RSQ, told historian Michèle Wood: "Our studio at 1776 Broadway was basically just an office with a seven- or eight-foot ceiling. There was a long hall leading to it from the elevators. Opposite the office door, there was a men's room lined with tiles. Scott insisted on recording at night so he could put one mike in the hall and another in the men's room. With that and the other mikes in the office he achieved what they call 'echo' and gave the recordings a big auditorium sound."

We don't have any photos of that makeshift Broadway chamber, but we have lots of photos of the RSQ during radio gigs (see above—saxophonist Dave Harris was cropped out by the cameraman). 

The first RSQ release was "Twilight in Turkey," backed by "Minuet in Jazz." The disc sold out within a week. "It had nothing to compete with it," said Brackman. "If you liked Scott, you had to buy Scott."

Fans first bought "Powerhouse" on the Master label, which went bankrupt in late 1937. The track was reissued on Brunswick in 1938, and in 1939 on Columbia. Same recording each time.

Shirley Temple (1928-2014)

We note the passing of legendary actress Shirley Temple yesterday at age 85. Despite her countless starring roles in major motion pictures, she is today best-known as the inventor of the non-alcoholic cocktail. Nonetheless, she has a Raymond Scott connection—or two. The first she knew about. The second, probably not.

A young (age 9) Shirley tap-danced with Bill "Bojangles" Robinson to Raymond Scott's "Toy Trumpet" in the 1937 film Rebecca of Sunnybrook Farm. (YouTube clip here.) The scene was apparently captured in one continuous take. The Raymond Scott Quintette performed the tune, but do not appear on camera (though they do appear in costume in the above publicity still).

After their breakout radio and recording success in New York in 1937, Raymond and his band were signed to 20th Century-Fox and whisked off to Hollywood. They provided music for and sometimes appeared in a half-dozen or so films with such major stars as Carole Lombard, Fred Allen, Eddie Cantor, and Sonja Henie. Scott reportedly disliked the film industry, which he found shallow. About studio execs he once griped, "They think everything is wonderful." The costumes in the above photo were no doubt another reason for Scott to despise Tinseltown. "We are musicians," he groused, "not comedians."

The Marr Archives, which houses the Raymond Scott collection, includes a disc with an unfinished composition entitled "Shirley's Tune." It dates from the RSQ's Hollywood sojourn, but the unreleased work never made it into the film and its purpose remains a mystery. However, it was sampled by The Bran Flakes on the forthcoming remix album Raymond Scott Rewired, on the track "Shirley's Temple Bells," which you can hear on Soundcloud.

75 Years of Wooden Indians

On this date 75 years ago, Raymond Scott returned to CBS studios with his 6-man 'Quintette' to record "War Dance For Wooden Indians." This hit tune was released in 1937, and is consecrated into several classic LOONEY TUNES shorts including "The Odor-able Kitty," "Tom Tom Tomcat," "A Peck o' Trouble," and "Bye, Bye Bluebeard." Download the vintage Columbia recording from the iTunes store, or Amazon, and watch one of our favorite covers here:

75 Years of Reckless Nights

On this date, 75 years ago, Raymond Scott returned to CBS studios with his Quintette for their second session to record "Reckless Night On Board An Ocean Liner." The tune was a hit when it was released in 1937, and is immortalized in the classic LOONEY TUNES, "Jumpin' Jupiter," "Hare Lift," and "Mouse Warming." It also serves as the soundtrack for this strange YouTube video by Silent Banana Theatre. ("Note: this film contains banana nudity and references to ambiguous fruit sexuality.") Download the vintage Columbia recording from the iTunes store, or Amazon — and see details about our year-long celebration of the 75th Anniversary here.

Watch two new TV Spots with Hugh Jackman and Stephen Fry

Two new television spots featuring Raymond Scott's music as their soundtracks have hit the air. Hugh Jackman stars in the ad above for Lipton Ice Tea with the 1938 classic "The Penguin," while Stephen Fry, Rupert Grint of "HARRY POTTER," Michelle Dockery, and Julie Walters are seen in the commercial below for British tourism, set to the 1939 tune, "In An 18th Century Drawing Room."

75 years ago today, in 1937...

1937 was a memorable year in US history. Disney released SNOW WHITE, the first full-color, feature-length animated movie. The Hindenburg disaster occurred on May 6. Howard Hughes established a record by flying from LA to NYC in under 8 hours. The Golden Gate Bridge opened in San Francisco. Amelia Earhart disappeared. George Gershwin died. And Daffy Duck was born — on April 17, in the animated short "Porky's Duck Hunt," directed by Tex Avery for the LOONEY TUNES series. This last factoid dovetails with a coincidence that would immortalize Raymond Scott's music in pop culture.

Exactly 75 years ago today, Raymond Scott recorded his iconic hit tune, "Powerhouse." On the same date, following 8 months of rehearsals with his Quintette at CBS, he also recorded "Twilight In Turkey," "Minuet In Jazz," and "The Toy Trumpet" — not a bad day's work. The 27 year-old couldn't have known at the time, but these compositions jump-started his stellar career, and came to underscore cartoon antics for future generations.

To celebrate the milestone, check out this collection of 75 YouTube clips of Scott's classic "Powerhouse," here — and see details about our year-long 75th anniversary events schedule here.

P.S. Thank you to Cory Doctorow at Boing Boing:
http://boingboing.net/2012/02/20/happy-75th-birthday-to-raymond.html

JOHN WILLIAMS: Watch Exclusive Video

Movie music maestro John Williams turns 80 years-old today. To celebrate, I'm releasing never-before-seen footage of Williams remembering Raymond Scott. This rough footage was shot by me, Jeff Winner, while Stan Warnow (Scott's son) and I interviewed John Williams at Tanglewood, in Massachusetts, on August 4th of 2008. Some of Stan's professional camera footage appears in the new feature-length, award-winning documentary film, "DECONSTRUCTING DAD," but this segment has never been seen before. Watch here <<<

From Wiki: John Williams was born on February 8, 1932 in Long Island, New York, the son of Esther and John Williams, Sr. (aka Johnny Williams). His father was a jazz percussionist who played with The Raymond Scott Quintette.

John Towner Williams is an American composer, conductor, and pianist. In a career spanning almost six decades, he has composed some of the most recognizable film scores in the history of motion pictures, including the Star Wars saga, Jaws, Superman, the Indiana Jones films, E.T. the Extra-Terrestrial, Hook, Jurassic Park, Schindler's List, Home Alone, and the first three Harry Potter films. He has had a long association with director Steven Spielberg, composing the music for all but two of Spielberg's major feature films.

Other notable works by Williams include theme music for four Olympic Games, NBC Sunday Night Football, the NBC Nightly News, the rededication of the Statue of Liberty, the DreamWorks Pictures production logo, and the television series Lost in Space. Williams has also composed numerous classical concerti, and he served as the principal conductor of the Boston Pops Orchestra from 1980 to 1993; he is now the orchestra's conductor laureate.

Williams has won five Academy Awards, four Golden Globe Awards, seven BAFTA Awards, and 21 Grammy Awards. With 47 Academy Award nominations, Williams is the second most nominated person, after Walt Disney. John Williams was honored with the prestigious Richard Kirk award at the 1999 BMI Film and TV Awards. The award is given annually to a composer who has made significant contributions to film and television music. Williams was inducted into the Hollywood Bowl Hall of Fame in 2000, and was a recipient of the Kennedy Center Honors in 2004.

On this date, Raymond Scott passed away at age 85: THE NEW YORK TIMES obituary

On this date in 1994 Raymond Scott passed away at age 85 — obituary from THE NEW YORK TIMES:

RAYMOND SCOTT, 85, COMPOSER

FOR CARTOONS AND THE STAGE, DIES

By William Grimes

Published: February 09, 1994

THE NEW YORK TIMES

• click above for larger view •

Raymond Scott, a jazz composer, pianist, band leader and inventor whose music found its way into dozens of Warner Brothers cartoons, died yesterday in the Country Villa Sheraton Nursing Home in North Hills, Calif. He was 85 and lived in Van Nuys, Calif.

The cause was pneumonia, said Irwin Chusid, the director of the Raymond Scott Archives in Hoboken, N.J.

Mr. Scott, whose original name was Harry Warnow, was born in Brooklyn to Russian immigrants. His father was an amateur violinist who owned a music shop. Mr. Scott played piano from an early age but planned to study engineering at Brooklyn Polytechnic Institute. His older brother, Mark, a violinist and conductor, steered him to the Institute of Musical Art (later renamed the Juilliard School) by offering to pay his tuition and buying him a Steinway grand piano.

Songs of Quirky Humor

After graduating from the institute in 1931, he was hired as a pianist for the CBS Radio Orchestra, which his brother conducted. When not performing, he composed quirky comic tunes, with evocative musical effects, like "New Year's Eve in a Haunted House," "Dinner Music for a Pack of Hungry Cannibals" and "War Dance for Wooden Indians."

In late 1936, he changed his name to Raymond Scott and formed a six-man jazz group (he insisted on calling it a quintet) that performed his compositions and achieved considerable popularity for two years. In the 1940's Mr. Scott led several of his own orchestras.

In 1943, Carl Stalling, the music director of Warner Brothers, began incorporating Mr. Scott's evocative music into the "Looney Tunes" and "Merrie Melodies" cartoons. His quintet's music from the late 30's is now used as background music for "The Ren and Stimpy Show" on Nickelodeon.

Mr. Scott composed the music for the 1946 Broadway show "Lute Song," composed and performed music for films, and led the band on the television program "Your Hit Parade" from 1950 to 1957.

Early Synthesizer

In the late 1940's, he turned his hand to inventing electronic instruments, such as the Karloff, a machine that imitated sounds like kitchen noises, the sizzle of a frying steak, or a cough. Another of his inventions was the Clavivox, a keyboard instrument that imitated the sound of the human voice. He also created an early version of the synthesizer.

In the 1970's, Berry Gordy Jr., who had seen some of Mr. Scott's electronic instruments, hired him to head the electronic music division of Motown Records. After retiring in 1977, Mr. Scott continued to experiment with electronic instruments.

His best-known compositions were recently released by Columbia on "The Music of Raymond Scott: Reckless Nights and Turkish Twilights."

Mr. Scott's first two marriages, to Pearl Winters and the singer Dorothy Collins, ended in divorce.

He is survived by his third wife, Mitzi; three daughters, Carolyn Makover of Fairfield, Conn., Deborah Studebaker of Los Angeles, and Elizabeth Adams of Watervliet, N.Y.; a son, Stanley, of Mamaroneck, N.Y., and 10 grandchildren.

LEONARD BERNSTEIN Arrangements: "2 Pianos, 4 Hands"

In 1943, LEONARD BERNSTEIN wrote this piano duet arrangement of Raymond Scott's 1938 hit tune, "In An 18th Century Drawing Room," published under Bernstein's pseudonym Lenny Amber. (Bernstein is a German and Jewish name meaning "amber.") Bernstein, who, according to THE NEW YORK TIMES, was "one of the most prodigiously talented and successful musicians in American history," also arranged versions of Scott's classics, "Huckleberry Duck," "The Toy Trumpet," "The Penguin," and "Powerhouse," seen below:

Twilight(s) in Turkey

We offer a free pdf of Raymond Scott charts (which are available in pdf format for token sums). Recently, while scanning new additions to our inventory—which contains arrangements for solo piano, sextet, dance band, accordion, and some miscellaneous instruments and configurations—we discovered three identical solo piano arrangements of Scott's 1937 "Twilight in Turkey" with different covers. Herewith the scans (slightly restored) of published versions from (respectively) Australia, the UK, and the US: We've got most of your Scott favorites—"Powerhouse," "In an Eighteenth Century Drawing Room," "The Penguin," "War Dance for Wooden Indians," "Siberian Sleigh Ride," etc.—as well as more obscure Scott titles, such as "Dead End Blues," "Tenor Man's Headache," "Circle Themes," "Kodachrome," and "Coming Down to Earth." We even have a computer printout of Scott's last known composition, "Beautiful Little Butterfly," which he composed using MIDI software in 1987 shortly before a debilitating stroke.

102 Years: Happy Birthday, Raymond!

Raymond Scott was born on September 10th of 1908. Today, as we celebrate his 102nd birthday, his fans have a lot to be grateful for (including, for example, the new documentary that is currently making the film festival circuit, and soon to be a DVD release).

One Scott fan, Amy Thyr, who is also an Exotica music aficionado, and founder of TourDeTiki.com, plans to toast Raymond with a special birthday drink recipe along with 20 other partiers and Tikiphiles, tomorrow, during her TikiTour:

“We will drink a toast to Raymond Scott! We can’t forget him and all he has given us … and the world of Exotica music. Scott has been recognized as a precursor to Exotica. Several of his songs were written with the intent of transporting the listener to exotic locations by use of innovative instruments and sound effects. Twenty years before Exotica became a musical genre, Raymond Scott was mixing swing jazz and classical forms, Exotica-style sounds, and his own unique style — forming the groundwork to the atmospheric moods of the Exotica movement. Tunes such as 'Suicide Cliff,' 'Snake Woman,' 'Ectoplasm,' and several others qualify Scott as the 'great-granddaddy' of Exotica. The Exotica genre of the '50s and '60s, even today’s Exotica sounds, all have their DNA rooted in the music of Raymond Scott.”

For the toast, Ms. Thyr has prepared a drink inspired by Scott's 1940 hit tune, “Huckleberry Duck.” Amy explains her new daiquirí creation, which she has dubbed the Huckleberry Duckuirí:

Though “Huckleberry Duck” is not Exotica in the musical sense, it’s now a “tropical” drink as I made it with rum, a little lime and huckleberries … why not? So here’s to Raymond … Happy Birthday … and thanks!

Amy's recipe:

          HUCKLEBERRY DUCKUIRI

           • 2 ounces Puerto Rican rum
           • 1/2 ounce fresh lime juice
           • 1 ounce macerated huckleberries
           • Approx. 4 ounces huckleberry-flavored tea
              (any good blueberry tea may be substituted)
           • Ice cubes

          Combine the first three ingredients and shake with ice.
          Pour contents of shaker into a highball glass.
          Add huckleberry tea to half full.
          Add ice to fill glass.
          Garnish with blueberries if you like.
          [Complete recipe: here.]

Jean Shepherd:"You'll Shoot Your Eye Out, Kid!"

Although best-known as writer and narrator of the classic 1983 holiday movie, A CHRISTMAS STORY, Jean Shepherd began a long radio career in 1948. He was not a traditional DJ who kept silent while playing records; he was a monologist who carefully chose music beds to underscore his unique narrative style. At least twice he pontificated over Raymond Scott:

 • In 1965 Shep, fascinated by Scott's SOOTHING SOUNDS FOR BABY electronic lullaby series, built an entire program theme around it, according SSFB perhaps its only airplay until the CD reissues more than 3 decades later.

 • The following year, Shep delivered one of his trademark rants about amusement parks as he spun "In An 18th Century Drawing Room," which Scott composed in 1937: listen here.

Spike Shieks the Q

For some reason we've never posted the film clip of Scott's legendary 1937-39 Quintette miming "Twilight in Turkey" in the 1937 Eddie Cantor farce Ali Baba Goes to Town. It's both entertaining and historically significant. There is precious little footage of the 1930s RSQ, and despite the gag performance, the viewer gets the sense of the band's chemistry. Scott typically assumes a minor role—no close-ups, a mere background prop, as befits his often acknowledged discomfort being on camera. What immediately comes to mind is Scott's derisive quote about why he left Hollywood and flew his band back to New York a year later: "We are musicians, not comedians." Nevertheless, it's great to see drummer Johnny Williams even when he's faking it.

We were reminded of this great film clip by the discovery of this 1942 Spike Jones Soundie (short music film), "The Shiek of Araby." It's an obvious homage to the RSQ performance:

You're Invited To Spend New Year's Eve In A Haunted House

Like most of Raymond Scott's 1930s Quintette tunes, "New Year's Eve In A Haunted House" is a descriptive musical portrait of a specific fantasy. As Max "Bunny" Sparber observed, Scott "eschews the hammy organ and ghostly wailing typically associated with ghost-ridden mansions in favor of a sprightly horn-driven number. The piece could pass for a cheerful foxtrot, but for a single muted trumpet blast that interrupts the music with a moaning 'waah' sound and a percussion solo that includes an ominous chimes progression. There’s something haunting this song, that’s for sure; we should be grateful that it appears to be in a good mood." Welcome that good mood for the new year — watch > THIS < spirited live arrangement by Portland's Vagabond Opera.

Kings of Swing:Chamber Jazz 1927-1940

An upcoming concert in London, presented by BBC Radio’s Russell Davies, will include five Raymond Scott pieces: "The Penguin," "Powerhouse," "Minuet In Jazz," "War Dance For Wooden Indians," and "In An 18th Century Drawing Room."

Also to be presented is the elegant virtuosity of the John Kirby Sextet, the piquant jazz harpsichord of Artie Shaw’s Gramercy Five, Duke Ellington's distinctive orchestrations for small bands, and the contrasting styles of jazz violin greats, Stephane Grappelli and Joe Venuti.

WHEN: Thursday, July 16th, 2009, at 7:30pm 
WHERE: Cadogan Hall, 5 Sloane Terrace, London

INFO: KingsOfSwingConcerts.co.uk

TICKETS: CadoganHall.com

Todd Schorr: American Surreal

Todd Schorr is a leading figure in Southern California's cartoon-based art movement, dubbed Pop Surrealism, which embraces lowbrow imagery and a ribald graphic style indebted to popular culture. Check this video preview of the Los Angeles-based artist's newest retrospective, set to a tune that's familiar to our ears. (More here, here, here, & here.)

Dinner Music for a Pack of Hungry Cannibals

Dave Harris played tenor sax in Scott's legendary late 1930s six-man Quintette. In 40 years as a highly sought horn-for-hire in New York and L.A., Harris (1913-2002) released only one record as a bandleader: DINNER MUSIC FOR A PACK OF HUNGRY CANNIBALS, a 1961 tribute to his old boss, for whom he held deep respect. Basta recently released this long out of print album on CD.

After the RSQ, Harris remained with Scott's first swing band, then compiled an impressive resume as a session player on radio and TV, and in the recording studio. In a career that extended into the 1970s, he worked with Billie Holiday, Gene Krupa, Eddie Cantor, Mickey Katz, Stan Webb, Russ Case, Bob Haggart, and countless others.

In late-life interviews, Scott claimed that his 1937-39 Quintette was his favorite band. That opinion was doubtless shared by Harris, who (unlike dozens of embittered RS sidemen) always spoke fondly of working under Scott. Such was Harris's affection that his sole outing as a leader was an album of RSQ favorites in modern high fidelity, with a sextet dubbed The Powerhouse Five. The ensemble recaptured the manic elegance and rhythmic wit of the composer. Nostalgia was the inspiration, but sharp musicianship and a celebratory gusto mark this album as a missing link in the Scott legacy.

another centennial

The beautiful and talented (and tragic) Carole Lombard was born a century ago today. That makes her less than a month younger than Raymond Scott, with whom she also shares a film: Nothing Sacred (1937).

Scott and his Q compatriots headed west under contract to 20th Century Fox in late '37, less than a year after making their sensational Christmas 1936 CBS radio debut. Their first film assignment was a medley of familiar (non-Scott) tunes arranged in the idiosyncratic RSQ style, intended to accompany a cinematic fashion show. The Quintette is heard, but not seen, in the sequence, which occurs early in the film. The medley has never been commercially released, but if you see the film, you'll recognize the RSQ's unmistakable verve.

Scott and his band spent less than a year in filmdom. The residency was both productive and frustrating. During this time Scott expanded his sextet into a small orchestra and recorded scores of demos (which survive, and are being prepared for CD release). At the same time, he deplored the vacuousness of the motion picture industry. Explaining why he left in 1938 and returned to New York, Scott said he hated Hollywood "because they think everything is 'wonderful'."

Portrait by DREW FRIEDMAN

A portrait of our revered musical control freak by renowned caricaturist (and Raymond Scott fan) Drew Friedman. The image depicts a beaming RS at the controls in a spaghetti-tangle of mic cords while his legendary 1937-39 Quintette runs through the ninety-sixth take of "Screwball Music for a Pack of Weary Sidemen."

You can buy a signed, limited edition fine art print of the painting: HERE. We're offering 30 numbered & titled giclée prints signed by the artist in a large (16" x 15") wall display format. The launch price is $300 for each of the first ten prints, after which the price will increase as the edition sells out.

Strange as it may seem considering the popularity and stature of Mr. Friedman's imagery, this is the first time his work is being offered in a signed limited edition.

P.S.: The tightest comprehensive bio of Scott ever — 650 words — posted at BoingBoing.com.

P.P.S.: Scott concert Sunday afternoon, Sept. 14 at West Point.