Artifacts from the Archives

We are offering a FREE 349-page pdf compendium of Raymond Scott artifacts and ephemera, including previously uncirculated historic material. The contents of Artifacts from the Archives are intended as informational supplements to the Scott albums Three Willow Park, Manhattan Research Inc., and Soothing Sounds for Baby.

The chronological, annotated documents and images spotlight Scott’s career in the field of electronic music, from his 1920s Brooklyn high school days to his 1980s post-Motown years in Los Angeles. Much of the content focuses on Scott’s most productive period, from 1958 (when he began working on electronic music full-time) to 1972 (his first year at Motown). The collection features Scott’s handwritten and typed technical notes, photographs, sketches, correspondence, art, schematics, patents, circuit diagrams, vintage news articles, and family ephemera. The pdf is offered for download in two formats: high resolution (for viewing and printing), and reduced resolution, suitable for paging through on-screen.

New painting by 13-year old art student

Bronwyn Cragg writes:

"I painted this portrait of Raymond Scott for my high school art portfolio! I did a series of similar paintings with people who have influenced me in the different arts: film, music, and literature. I also did portraits of H.P. Lovecraft and Stanley Kubrick. Raymond Scott rules!"

Hear & See:"All Around The Christmas Tree"

Raymond Scott's first hit was "Christmas Night In Harlem," written in 1934 at age 25. His second holiday tune, "All Around The Christmas Tree," released on Columbia Records, accompanied this special illustrated songbook section of the December 1940 issue of Coronet magazine. The label credits the performance to Scott's "New Orchestra," with vocalist Clyde Burke. Listen to this rare song here, and click the images below for full-sized views to read the intro and sing along with the lyrics:

Demotivational Poster

“A motivational poster is commonly designed for use in schools and offices. This kind of poster has been repeatedly parodied, and parody motivational posters have become an Internet meme.”

The mischief-makers responsible for "I Can Has Cheezburger?," "FAIL Blog," and other popular comedy sites, have published this on their VeryDemotivational.com:

Selected comments:

"It’s Raymond Scott, Not Hausmann"

"OMG! He’s tormenting Dorothy Collins!"

"They were married. Doesn’t that go with the territory?"

"I believe this Raymond Scott and he produced many of the beats off of loneytunes. Also if this is the track I Think he is doing it is light works, search it. Its a hell of a track."

• SEE ALSO: "Urban Dictionary"

102 Years: Happy Birthday, Raymond!

Raymond Scott was born on September 10th of 1908. Today, as we celebrate his 102nd birthday, his fans have a lot to be grateful for (including, for example, the new documentary that is currently making the film festival circuit, and soon to be a DVD release).

One Scott fan, Amy Thyr, who is also an Exotica music aficionado, and founder of TourDeTiki.com, plans to toast Raymond with a special birthday drink recipe along with 20 other partiers and Tikiphiles, tomorrow, during her TikiTour:

“We will drink a toast to Raymond Scott! We can’t forget him and all he has given us … and the world of Exotica music. Scott has been recognized as a precursor to Exotica. Several of his songs were written with the intent of transporting the listener to exotic locations by use of innovative instruments and sound effects. Twenty years before Exotica became a musical genre, Raymond Scott was mixing swing jazz and classical forms, Exotica-style sounds, and his own unique style — forming the groundwork to the atmospheric moods of the Exotica movement. Tunes such as 'Suicide Cliff,' 'Snake Woman,' 'Ectoplasm,' and several others qualify Scott as the 'great-granddaddy' of Exotica. The Exotica genre of the '50s and '60s, even today’s Exotica sounds, all have their DNA rooted in the music of Raymond Scott.”

For the toast, Ms. Thyr has prepared a drink inspired by Scott's 1940 hit tune, “Huckleberry Duck.” Amy explains her new daiquirí creation, which she has dubbed the Huckleberry Duckuirí:

Though “Huckleberry Duck” is not Exotica in the musical sense, it’s now a “tropical” drink as I made it with rum, a little lime and huckleberries … why not? So here’s to Raymond … Happy Birthday … and thanks!

Amy's recipe:

          HUCKLEBERRY DUCKUIRI

           • 2 ounces Puerto Rican rum
           • 1/2 ounce fresh lime juice
           • 1 ounce macerated huckleberries
           • Approx. 4 ounces huckleberry-flavored tea
              (any good blueberry tea may be substituted)
           • Ice cubes

          Combine the first three ingredients and shake with ice.
          Pour contents of shaker into a highball glass.
          Add huckleberry tea to half full.
          Add ice to fill glass.
          Garnish with blueberries if you like.
          [Complete recipe: here.]

Party Like It's 1999

Cartoon Network's round-the-clock bumper theme from 1997 to 2004 was Raymond Scott's classic "Powerhouse." Watch >>This montage presents more than 300 bumpers that Primal Screen produced for the network's programming. The montage's music bed is an arrangement of "Powerhouse" commissioned by the network. Long and short versions are available on the 1999 Rhino/WEA CD Cartoon Medley.

Jean Shepherd:"You'll Shoot Your Eye Out, Kid!"

Although best-known as writer and narrator of the classic 1983 holiday movie, A CHRISTMAS STORY, Jean Shepherd began a long radio career in 1948. He was not a traditional DJ who kept silent while playing records; he was a monologist who carefully chose music beds to underscore his unique narrative style. At least twice he pontificated over Raymond Scott:

 • In 1965 Shep, fascinated by Scott's SOOTHING SOUNDS FOR BABY electronic lullaby series, built an entire program theme around it, according SSFB perhaps its only airplay until the CD reissues more than 3 decades later.

 • The following year, Shep delivered one of his trademark rants about amusement parks as he spun "In An 18th Century Drawing Room," which Scott composed in 1937: listen here.

She's A Doll!

Volume 3 of Raymond Scott's groundbreaking ambient electronic album series, SOOTHING SOUNDS FOR BABY, features a track titled "Little Miss Echo." In 1962, about a year before the series was released, a high-tech doll of the same name was introduced by the American Character Doll Company. Built into the Little Miss's chest was a miniature battery-powered tape machine controlled by a knob styled to look like a bow; the device would repeat up to 25 seconds of speech.

Scott had two young daughters at the time, and I speculated they might have owned the doll, but they don't recall it. Considering his lifelong fixation with all aspects of sound recording, it's likely Scott was intrigued by the novelty toy. Perhaps he was inspired by this creepy TV commercial, or maybe it was just a coincidence. At any rate, Raymond would be shocked to know he himself is now a doll.

Bump In The Night

Adult Swim, the adult-oriented cable TV network that shares channel space with Cartoon Network at night, features shows and commercial breaks that are interrupted by creative bumpers that use short jokes or Internet fan feedback, usually broadcast in simple white letters over a black screen.

If you took a bathroom break and missed them, here's a trio of bumps featuring a mutated mix of Raymond Scott's "In The Hall Of The Mountain Queen" obsessively archived at BumpWorthy.com.

historic paper

A classy piece of ephemera: blank stationery from Scott's electronic music lab, Manhattan Research, Inc., ca. 1960s. At the time, Scott lived in a Long Island industrial development, Willow Park, Farmingdale, New York. Reams of this stationery were still on hand at the time of Scott's death in 1994. For years my correspondence from Mitzi Scott (then living in Los Angeles) arrived on these sorts of artifacts.

Let 'em hear cake!

Above: Clavivox cake by Sarah Albu, Montreal
Below: Bakery birthday cake ordered by Ego Plum, Los Angeles

In 1993, MTV used to care ...

... about such things:

Not that they made a big deal about it—forty-five seconds or so on MTV News. The hook wasn't Scott's legacy or musical appeal, but the fact that his vintage recordings were being used in the recently launched Ren & Stimpy Show.