Shooby Taylor Rewired

The new Basta album Raymond Scott Rewired features a radical overhaul of the entire Scott catalog by three of the music world's premiere remix artists — The Bran Flakes, Evolution Control Committee, and Go Home Productions. It was released on February 18.

The final track, Scott's iconic "Powerhouse," which was collaboratively layered by the three mixmeisters, features a special guest. The late, legendary outsider scat-master William "Shooby" Taylor, a.k.a. "The Human Horn," takes a few vocal turns throughout the mix. I chronicled Taylor's story over at a website devoted to my Y2K outsider music book and CDs, Songs in the Key of Z. Taylor's idiosyncratic vocal stylings were studio-recorded in the 1980s over commercial LPs by artists like Miles Davis, the Harmonicats, Erroll Garner, Eddie "Lockjaw" Davis, and Johnny Cash. Needless to say, these artists were not consulted about the collaborations, and all went to their graves none the wiser.

I own the dozen or so Shooby master reels, which contain 94 tracks, many of which I intend to release digitally in the near term. The samples used in "Powerhouse" originated from a series of a cappella recordings by Taylor. Buy the album — or at least the track — to appreciate Shooby in a remarkable setting. You can hear (and buy) four Shooby solo recordings in the iTunes Store: "Stout-Hearted Men," "Lift Ev'ry Voice and Sing," "Indiana," and "It Gets Better All the Time."

Sic transit Gloria

Singer Gloria Lynne was discovered in 1958 by Raymond Scott, who signed her to her first recording contract that same year. Scott produced her debut album, Miss Gloria Lynne, for Everest Records, a label for which he briefly served as A&R director. The musicians on Lynne's album were many of the same session aces from Scott's Secret 7 project.

Lynne died of heart failure at age 83 on October 8. An obit in the October 18 New York Times describes the rough times she faced when her career went into decline. She had one major hit, "I Wish You Love," in 1964, and it became her signature tune. (Scott produced only her debut album.)

In the Miss Gloria Lynne liner notes by jazz scholar Nat Hentoff, Scott was quoted on the magnitude of her talent and strengths:

"Overall, she has a sincerity and power. She's been based in gospel music and she also has a jazz talent, and this is the first chance she's had to sing with a swinging group. As for her vocal resources, she's at a stage at her beginning that most people don't reach until the middle or end of their careers. She's extremely warm and she can tell a story. She's young and fresh and should have a remarkable future." 

For Lynne's debut, Scott recruited Harry "Sweets" Edison (trumpet), Sam "The Man" Taylor (piano), Eddie Costa (vibes), "Wild Bill" Davis (organ), Kenny Burrell (guitar), Milton Hinton (bass), George Duvivier (bass), Tom Bryant (bass), and Jo Jones (drums). All except the last three were part of Scott's Secret 7.

2 New Vinyl Album Reissues —Party Like It's 1959!

Good news for wax maniacs: to celebrate the 75th ANNIVERSARY of Raymond Scott's music, the Basta Audio-Visuals label (working with the RS Archives) has reissued a pair of classic Scott 1950s LPs in 180-gram 12" vinyl format. Both meticulously replicate the original artwork in every detail.

"THE UNEXPECTED" by Raymond Scott & The Secret Seven — While serving as an A&R director for Everest Records in 1958, Raymond Scott produced an album for singer Gloria Lynne. The LP's sidemen included many of the same session players on Scott's mysterious 1959 album, "THE UNEXPECTED" — performed by his all-star jazz-legend supergroup, The Secret Seven — whose identities remained confidential for decades. The secrecy extended to withholding the band member's names from the LP jacket, but as music historian Nat Hentoff wrote in the liner notes, "Jazz aficionados will instantly recognize the players." The members are now known to be Elvin Jones, "Wild" Bill Davis, Milt Hinton, Harry "Sweets" Edison, Kenny Burrell, Eddie Costa, Sam "The Man" Taylor, and "Toots" Thielemans. NOTE: Basta's vinyl pressing is the extremely rare STEREO mix — the stereo version will not be issued on CD/digital-download. • Order: here <<< • Listen to a track from this album: "Waltz Of The Diddles" by Raymond Scott & The Secret 7

"THIS TIME WITH STRINGS" by Raymond Scott & His Orchestra — Scott musically re-invents his compositions for full-orchestra and strings on this 1957 album. RS favorites like "Powerhouse," "The Toy Trumpet," and "Twilight in Turkey" are retooled for expanded setting — but that's not all. "There are many of the Quintette things in this LP," said the composer in the original liner notes. "Also things for dance band, material written for Broadway, the movie screen, and some of my recent writing. Indeed, a potpourri, given Hi-Fidelity dressing, and a certain vividness in string treatment." The album was recorded in glorious monophonic sound, which is retained on the vinyl. No artificial processing. Crank up the Hi-Fi! • Order: here <<< • Listen to a track from this album: "The Toy Trumpet" by Raymond Scott & His Orchestra

Dinner Music for a Pack of Hungry Cannibals

Dave Harris played tenor sax in Scott's legendary late 1930s six-man Quintette. In 40 years as a highly sought horn-for-hire in New York and L.A., Harris (1913-2002) released only one record as a bandleader: DINNER MUSIC FOR A PACK OF HUNGRY CANNIBALS, a 1961 tribute to his old boss, for whom he held deep respect. Basta recently released this long out of print album on CD.

After the RSQ, Harris remained with Scott's first swing band, then compiled an impressive resume as a session player on radio and TV, and in the recording studio. In a career that extended into the 1970s, he worked with Billie Holiday, Gene Krupa, Eddie Cantor, Mickey Katz, Stan Webb, Russ Case, Bob Haggart, and countless others.

In late-life interviews, Scott claimed that his 1937-39 Quintette was his favorite band. That opinion was doubtless shared by Harris, who (unlike dozens of embittered RS sidemen) always spoke fondly of working under Scott. Such was Harris's affection that his sole outing as a leader was an album of RSQ favorites in modern high fidelity, with a sextet dubbed The Powerhouse Five. The ensemble recaptured the manic elegance and rhythmic wit of the composer. Nostalgia was the inspiration, but sharp musicianship and a celebratory gusto mark this album as a missing link in the Scott legacy.