Thursday, November 10, 2016

Ice-T was First to Sample Raymond Scott?

Ice-T in Los Angeles, circa 1986
So you thought J Dilla was first artist to sample Raymond Scott in Hip Hop? Think again. Long before he began to fight crime in the year 2000 as NYPD Detective Odafin “Fin” Tutuola on the NBC-TV drama Law & Order: Special Victims Unit, and before drawing controversy with his 1992 song “Cop Killer,” which depicts a criminal’s revenge on the police, rapper and actor Ice-T was an unlikely early advocate of recycling Raymond Scott’s music. In 1985, the same year he appeared in the movie Breakin' 2: Electric Boogaloo, he released the single "Ya Don't Quit,” which incorporates the famous ‘B’ section from Scott’s iconic 1937 hit tune, “Powerhouse.” A year later he released a sequel, "Dog'n The Wax (Ya Don't Quit Part II)” — which features a different “Powerhouse” element — on his album Rhyme Plays, and as a single on the Sire/Warner Bros. label. Both tracks, which have a Def Jam-era Beastie Boys/Run-D.M.C.-like production, represent the earliest-known examples of Raymond Scott’s music in Hip Hop. Listen to both songs below:

Thursday, June 16, 2016

Twisted Toons Vol. 2

Stu Brown's first Twisted Toons album explored the music of maverick bandleader, composer, inventor and electronic music pioneer Raymond Scott, whose music featured heavily in the Warner Bros. cartoons of the 1940s onwards. His new release, Twisted Toons Vol. 2, delves deeper into the zany world of cartoon soundtracks, including the pioneering work of Carl Stalling, whose brilliantly detailed scores accompanied the antics of Bugs Bunny, Daffy Duck and co., as well as the equally groundbreaking music of Scott Bradley, which underscored the slapstick violence of Tom & Jerry and Tex Avery cartoons. Most of this music has never been recorded or performed live since the original cartoons were made. Expect to hear complete Tom and Jerry, Droopy, Roadrunner and Porky Pig scores alongside new arrangements of Carl Stalling’s commonly used themes (including Raymond Scott’s ‘Powerhouse’ and his own ‘Screwball Theme’), a selection of kitsch 1950’s library music cues that appeared in Ren and Stimpy and Spongebob Squarepants, and some of Bill Frisell’s atmospheric writing for Gary Larson’s Tales From the Far Side.

Preorder the album here:

Monday, June 13, 2016

"The Aural Films Biography Series re-presents artists by featuring retrospective collections that re-introduce the public to those who have been working for decades in music and art. Following our initial Biography release featuring artist Thomas Park. Aural Films continues with volume 2 in the Biography Series that will pay special tribute to the work of Raymond Scott." Complete details: here

Wednesday, June 08, 2016

Raymond Scott Card Diorama

Sean Bright's Etsy shop is offering an adorable new handmade Raymond Scott card diorama: "Card model of musician, inventor, composer and electronic pioneer Raymond Scott. Pre-cut & folded, will be shipped in a flatpack form to ensure it arrives afely & to keep postage costs down. Comes in a delightful cd-size slip case. Measures around 12cm high." Details & ordering info: here

Thursday, May 26, 2016

Miles Davis & Raymond Scott

Miles Davis was born on this date in 1926. Although there's no indication that Davis met Raymond Scott, it appears he may have been a fan. About 4 years-ago, I found a Miles Davis 'Blindfold Test' from 1968 — listening to Sun Ra (a tune titled "Brainville"), Davis said: "That's gotta come from Europe. We wouldn't play no shit like that. It's so sad. It sounds funny to me. Sounds like a 1935 arrangement by Raymond Scott. You mean there's somebody around here that feels like that? Even the white people don't feel that sad."
I've discovered another Davis 'Blindfold Test,' this one from 10 years earlier, in which he also mentions Raymond Scott. Here is a brief audio clip I excerpted from the complete 35-minute recording (and I transcribed it because Davis can be difficult to understand):
• • • • • • • • • • • • • • • • • • • • • •
1958 “Blindfold Test” (excerpt)
• • • • • • • • • • • • • • • • • • • • • •
MILES DAVIS: Well, now it’s sickening because everybody plays the cliches that they played 5 years ago.
LEONARD FEATHER: Hmm, or 10 years ago.
MD: And them ‘modren’ (sic) musicians. I really can’t stand to hear too many of those guys now — very few.
LF: What do you think about the West Coast guys?
MD: They can have that. They got all of that… on the West Coast.
LF: Do you think it lacks emotion?
MD: Yes, I think it’s the heat out there. (both laugh) And the movies. I really don’t understand that. You know, I like [jazz drummer and bandleader] Chico [Hamilton], he’s a good friend of mine, ya know, but his band makes me sick!
LF: Well, a lot of it is not Jazz.
MD: I don’t know what it is. I’d rather listen to Raymond Scott’s old quintet.
LF: (laughs)

Tuesday, May 24, 2016

Anthropophagy Feast

On this date in 1937, Raymond Scott returned to CBS studios with his Quintette for their third session to record "Dinner Music For A Pack Of Hungry Cannibals." It was an immediate hit when it was released 79 years ago, and is immortalized in "Which Is Witch" along with at least 16 other classic LOONEY TUNES. Download the vintage Columbia recording from the iTunes store, or Amazon, and check-out this cover by Kronos Quartet, plus a live performance by Ego Plum. Below is a private rehearsal by the original Quintette, released on the 2-CD "MICROPHONE MUSICcollection from the Basta label:

Monday, May 02, 2016

New Review of Documentary Film: Podcast

New 10-minute podcast segment, reviewing the feature-length documentary film about Raymond Scott's life and work:

"Spotlight on Film: Deconstructing Dad, excerpt of Powerhouse by The Raymond Scott Quintet... Thanks also to Chainsaw Chuck Majewski for the long ago tip to Raymond Scott’s web site."

Begins at 6:45  >>> Click to listen: here

Thursday, April 07, 2016

Deluxe Figurine & CD Set

Deluxe Vinyl Figurine & CD Set

We have small quantities of the much-celebrated and beautifully-designed deluxe vinyl figurine and CD set made by Presspop in Japan for only $39. (+ shipping). They are brand-new. The limited-edition package features a miniature replica of Raymond Scott's patented 1950s keyboard synthesizer, The Clavivox, and a CD featuring rare, unreleased tracks from the Scott Archives, produced and compiled by Jeff Winner (me).

 • To order Vinyl Figurine & CD set with PayPal CLICK HERE <

Wednesday, April 06, 2016

Concert: West Point Band’s Quintet 7

ABOVE: The West Point Band's Quintette 7

Raymond Scott Quintette drummer Johnny Williams once remarked about his boss's penchant for exhaustive rehearsals: "All that discipline helped. It had to. I developed a technique way beyond what I'd had." The West Point Band's Quintette 7 understands discipline, and it pays off in their performances of Scott's quirky tunes, which they'll offer in a FREE concert at the Chappaqua Library Theater on Sunday, May 7th, 2016. (The program will also feature the Q7 performing non-Scott selections such as "Misty" and "Big Noise from Winnetka.") RSVP via Facebook: here

Info from the Library:

Hear—and buy—tracks from the BEST-SELLING album "Quintette 7 Plays the Music of Raymond Scott":

Friday, December 11, 2015

Powerhouse Passacaglia

Geoffrey Burleson performs "Powerhouse Passacaglia," a "Fantasy-Homage on Raymond Scott's 'Powerhouse'," composed by Burleson, at the New West Electronic Arts & Music Organization Festival, at Brooklyn’s ShapeShifter Lab, December 7, 2015.

Here's the work performed by the No Exit New Music Ensemble, November 2013:

Wednesday, December 09, 2015

Oui d'Accord: "Powerhouse" (in Super 8)

The Berlin-based trio Oui d'Accord present an original arrangement of Raymond Scott's "Powerhouse" for guitar, bass and accordion. Filmed in Super 8! Unless the guys wrote it down, no sheet music exists for this instrumental configuration. 

Saturday, September 12, 2015

Raymond Scott Songbook (complete video)

Back in March we featured Part 1 of our friend Takashi Okada's video showcasing THE RAYMOND SCOTT SONGBOOK, a 2-cd set which he produced in cooperation with the Scott estate. We promised Part 2 the following week. We subsequently misplaced our calendar, which only now turned up buried under a dog-eared stack of Scientific American magazines from the 1960s. (We have to get this office organized!)

We now offer Part 2 of Takashi's video, which you'll find was worth waiting for.

Includes cameo appearances by Jean-Jacques Perrey, the Mechanical Orchestra of França Xica, Hirofumi Tokutake, Dorothy Collins, Ego Plum, Beth Sorrentino, Optiganally Yours, Benoît Charest, Haruomi Hosono, and others. (Pictured above: the band Noahlewis' Mahlon Taits; below: vocalist Miharu Koshi)

Thursday, April 02, 2015

YALE University Documentary Film Screening

YALE University will screen the award-winning Raymond Scott documentary film, "DECONSTRUCTING DAD," on April 6th, 2015. Directed by Raymond Scott's son, STAN WARNOW, and co-produced by JEFF WINNER (me), the documentary features: JOHN WILLIAMS, multi-Academy Award®-winning movie soundtrack composer (JAWS, STAR WARS, HARRY POTTER), MARK MOTHERSBAUGH, Emmy Award®-winning movie & TV score writer, & co-founder of DEVO, DJ SPOOKY, aka PAUL D. MILLER, turntablist, producer, & author, and others. The screening, which is free and open to the public, begins at 4:30pm, and the director will attend for Q&A. The Yale Film Study Center address is 212 York Street, #106, on the Yale campus. Thank you to legendary Mac guru David Biedny, who teaches in the Design Department at the Yale School of Drama, and his fellow Yale professor David Budries, for making this screening happen.

Yale Film Study Center

Monday, March 09, 2015

Growing up with Raymond Scott

Raymond Scott fan Christine Lorraine writes:
I wanted to take a moment to express something — in the mid-1990s you gave me a Raymond Scott CD (Reckless Nights and Turkish Twilights) when my son and daughter were babies. Now they are grown up. Nicole plays sax, and Nicholas plays French horn, drums, cello, and anything else he touches. Nicholas (who also plays drums with my band) recently hopped in the car when I picked him up from work, opened the console, and immediately inserted the Raymond Scott CD into the player. He listened to his favorites since childhood: "Manhattan Minuet," "Tobacco Auctioneer," and "At an Arabian House Party." He can point out where the clarinet squeaks in "Powerhouse" and how the trombones are intentionally dissonant in "House Party." My daughter Nicole does the same thing with the same CD, and she said it has struck her since early childhood that music could ever sound like that.
This is a roundabout way of saying thanks for playing such an indirect yet profound influence on their musical development. Raymond Scott's music is such a treasured part of our lives. 
Nicholas (above) had been listening to Raymond Scott since age 3 and wanted to play drums. Being a musician mom, well, it was no holds barred.

Ages 8 and 10 (above) they performed together playing "Jingle Bells" in the school talent show. She doesn't play sax so much now, but fronts an all-original punk group and writes their lyrics. I wish there were a way to expose more young children to intricate music like Raymond Scott's. I did so experimentally, but what an amazing outcome.