Saturday, October 19, 2013

Sic transit Gloria


Singer Gloria Lynne was discovered in 1958 by Raymond Scott, who signed her to her first recording contract that same year. Scott produced her debut album, Miss Gloria Lynne, for Everest Records, a label for which he briefly served as A&R director. The musicians on Lynne's album were many of the same session aces from Scott's Secret 7 project.

Lynne died of heart failure at age 83 on October 8. An obit in the October 18 New York Times describes the rough times she faced when her career went into decline. She had one major hit, "I Wish You Love," in 1964, and it became her signature tune. (Scott produced only her debut album.)

In the Miss Gloria Lynne liner notes by jazz scholar Nat Hentoff, Scott was quoted on the magnitude of her talent and strengths:
"Overall, she has a sincerity and power. She's been based in gospel music and she also has a jazz talent, and this is the first chance she's had to sing with a swinging group. As for her vocal resources, she's at a stage at her beginning that most people don't reach until the middle or end of their careers. She's extremely warm and she can tell a story. She's young and fresh and should have a remarkable future." 
For Lynne's debut, Scott recruited Harry "Sweets" Edison (trumpet), Sam "The Man" Taylor (piano), Eddie Costa (vibes), "Wild Bill" Davis (organ), Kenny Burrell (guitar), Milton Hinton (bass), George Duvivier (bass), Tom Bryant (bass), and Jo Jones (drums). All except the last three were part of Scott's Secret 7.

Monday, October 14, 2013

QUESTLOVE & others present live concerts titled "ELECTRONIUM: The Future Was Then"

Ahmir “QUESTLOVE” Thompson (THE ROOTS) returns to the Brooklyn Academy of Music with an all-star mash-up that celebrates pioneering works of electronic music. From the press release: 
The production’s title references the first electronic synthesizer created exclusively for the composition and performance of music. Created by composer-technologist Raymond Scott, the Electronium was designed but never released for distribution; the one remaining machine is undergoing restoration. Complemented by interactive lighting and aural mash-ups, the music of Electronium: The Future Was Then honors the legacy of The Electronium in a production that celebrates both digital and live music interplay. 

R&B singer-producer
Tom Krell (How to Dress Well), avant-R&B outfit Sonnymoon, beatboxer Rahzel, guitarist Kirk Douglas (The Roots), DJ-composer Jeremy Ellis, and conductor Andrew Cyr & Metropolis Ensemble join Grammy Award winner Questlove to sample and deconstruct seminal recordings by everyone from RAYMOND SCOTT and Bob Moog, to Stevie Wonder and George Clinton, into a feverishly modern new playlist. Old-school blips and beeps, sine waves, and analog synth solos mix with live vocals and contemporary electronics in this ecstatic riff on the analog revolution that paved the way for our music today.
TICKETS & DETAILS: here

Tuesday, September 24, 2013

The Orchestrette boards a Ghost Train


Raymond Scott Orchestrette gigs have been few and far between (they have a lousy—cough, cough—booking agent). Now, following their triumphant August 8 Lincoln Center Out of Doors stint accompanying the John Heginbotham dance ensemble, the RSO has been invited to open for the Ghost Train Orchestra's CD release party on October 26. The GTO also features Raymond repertoire (along with Alec Wilder, John Kirby and Reginald Foresythe), so the evening offers a double shot of Scott. The concert takes place at a new downtown Manhattan venue, SubCulture, at 45 Bleecker Street.


GTO is led by Brian Carpenter, who has been studying Scott scores and creating new arrangements over the past five years. His previous band, Beat Circus, released a 2008 CD entitled Dreamland, whose cover was illustrated by Orchestrette multi-instrumentalist Brian Dewan.

Tuesday, September 10, 2013

Happy 105th Birthday to Raymond Scott

105 years ago today, Raymond Scott was born in Brooklyn, NY — listen to "Happy Birthday To You" by Raymond Scott & His New Orchestra, vocal by Clyde Burke, 1940:

Sunday, August 11, 2013

Would Daffy Approve?



The New York Times reviews the Dance Heginbotham/Raymond Scott Orchestrette collaborative choreographic premiere of Manhattan Research at Lincoln Center Out of Doors this past Thursday.

Excerpt:
Mr. Heginbotham — who founded his company, Dance Heginbotham, two years ago — comes with his own associations, primarily the 14 years he spent in the Mark Morris Dance Group. As a choreographer, his most obvious connection to Mr. Morris is a fidelity to music. With antic groupings, Egyptian arm bends and vaudeville steps, “Manhattan Research” doesn’t just capture the spirit of [Raymond] Scott; it makes visual the music’s form and offers an apt move or gesture for nearly every sound. Also, Mr. Heginbotham is funny.
Our take? Brilliant, exciting, vivacious, animated. We look forward to further collaborative projects between Heginbotham's young troupe and the RSO.

The Scott works performed by the RSO were: "Manhattan Minuet" (premiere), "Powerhouse," "Snake Woman" (premiere), "Blue Blue Blue Blue Blue," and "Siberian Sleighride."

Friday, August 02, 2013

LINCOLN CENTER presents Free Concert

Lincoln Center's Damrosch Park Bandshell
LINCOLN CENTER Free "Out Of Doors" Concert Series Presents:

Dance Heginbotham creates highly structured, technically rigorous, and theatrical choreography, frequently set to the music of contemporary composers. Along with signature pieces "Twins" and "Blown Away," Dance Heginbotham will present a world premiere of "Manhattan Research," a new work based on the music of midcentury maverick Raymond Scott. Best known for his Loony Tunes ditties, the composer, bandleader, and musical inventor’s spirit — leaping from zany to sultry — lives on thanks to The Raymond Scott Orchestrette, whose dynamic performance of pieces like “Powerhouse” will provide the spark for Dance Heginbotham’s trademark vigor and humor. Athletic, meticulously rhythmic movement will run alongside cool, witty nods to the subject matter in Scott's melodies, instrumentation, and song titles. Admission is free. Details: here

"Manhattan Research" commissioned by Lincoln Center for "Lincoln Center Out of Doors."

Saturday, July 13, 2013

Gotye puts Raymond back on the charts

It's probably been at least half a century since Ray scored a new hit, but thanks to Belgian-born Australian recording artist Gotye, Raymond Scott is back on top of the charts. Kinda. The Gotye song "State Of The Art" features a brief but memorable cameo of Raymond's voice as the track's finale, which was lifted from our Manhattan Research Inc. 2-CD/book compilation. The Gotye album, titled Making Mirrors, reached the Top 10 on the US Billboard 200, is currently the #2 US Rock Album (behind Bruce Springsteen, who holds the top slot at the moment), is the #1 US Alternative Album, and has already achieved global Gold, Platinum, and Triple Platinum sales status. Gotye will be this week's music guest on Saturday Night Live. • UPDATE: Gotye recently gave us this quote:

"Raymond Scott recorded some of the most unique and beguiling electronic sounds. An incessant inventor, designer, tinkerer — he's a big inspiration for me as a producer. His tightly orchestrated preudo-jazz with his Quintette was truly singular too. He was a real musical visionary."

Friday, June 28, 2013

Fan-art by 11-year old girl

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A Raymond Scott fan was moved to tears when given this drawing made by an 11-year old girl as a birthday gift — the proud fan explains: "She doesn't know Raymond's personal background, so this emotion is based only on the music. She played piano for 3 years, moving on to clarinet next week. New influences! It made me cry with happiness."

Tuesday, June 11, 2013

Arnold Eidus (1922-2013)

Raymond Scott and Arnold Eidus, 1950

With sadness we note the passing on June 3 of world-renowned violinist Arnold Eidus, at age 90. With pride we note his Raymond Scott connection: in 1950 Eidus performed in a duet setting at Carnegie Hall the only 20th century public recital of Scott's Suite for Violin and Piano. The five-movement Suite was Scott's only known "serious," classical composition, and we've heard anecdotal accounts that it was composed specifically as a showcase for Mr. Eidus. Though he was only 27 at the time, it was not the first time Eidus had appeared at Carnegie Hall—he had performed there as soloist on Lalo's Symphonie Espagnole at age thirteen!

A rehearsal recording of the Suite was discovered in the Scott collection at the Marr Sound Archives, and was released last year on Basta, coupled with a 21st century recording by Davide Rossi and Ramon Dor.

While researching liner notes for the CD, I interviewed Eidus by phone at his Boca Raton home on August 24, 2011. He was a gracious man, and while he could not recall recording or performing the Suite ("I've done thousands of sessions over the years"), he did remember Scott—fondly. "I got along well with him, never had a problem," Mr. Eidus recounted. "I had a pleasant time with him." Unlike a number of musicians who worked in the 1940s and '50s under the demanding bandleader, Eidus said, "I can't say anything bad about him." (Not that we were asking.) The 1950 disc did not indicate the identity of the pianist, but subsequent research revealed it was Carlo Bussotti, who had accompanied Eidus at the 1950 Carnegie concert.

Eidus enjoyed a storied career as a studio accompanist in the jazz, classical, pop, and Latin fields. His session logs include dates for Sinatra, Perez Prado, Wes Montgomery, Lena Horne, Cal Tjader, Doris Day, Freddie Hubbard, and hundreds more. Among his other professional pursuits, Eidus facilitated the hiring of musicians for various projects. When Scott was named conductor on TV's Your Hit Parade in 1950, he needed a string section. Eidus contracted a half-dozen players, and landed a violin chair in the YHP orchestra himself for a year or two. He also recalled touring briefly with Scott, and launched his own classical record label, Stradivari Records, in the 1950s. A busy man, now eternally at rest. Condolences to his family.

Thursday, June 06, 2013

Cindy + Me


Stereogum.com: "Caged Animals is Brooklyn denizen Vincent Cacchione, maker of homespun indie-pop that leverages electronics and guitars in the pursuit of sweetly endearing pop awkwardness. He has an album titled Eat Their Own and EP called This Summer, both on UK label Lucky Number, and he’s back with a new single. The clattering, theremin-y synth-bounce of 'Cindy + Me' is built on a sample from Raymond Scott's 'Cindy Electronium'."

Get Vincent's backstory on the tune and listen to it at Stereogum. Then watch the new video, which features a quintet of medical academy-trained monkeys:


The Guardian's take is here. The original "Cindy Electronium" appeared on the Manhattan Research Inc. collection of Scott's 1950s-60s electronica, and the sample was licensed thru Basta.

Thursday, May 30, 2013

MAD Magazine-style parody from 1955

The April 1955 issue of the Charlton Comics answer to MAD magazine parodies Raymond Scott as "Raymond Scat," along with his NBC television co-stars, including Scott's wife, as "Dorothy Collars."

Click image above for larger view
Click image above for larger view
Click image above for larger view
Click image above for larger view
Click image above for larger view

Wednesday, May 29, 2013

Melbourne, Australia Premier of Documentary Film

The award-winning Raymond Scott documentary film, "DECONSTRUCTING DAD," will have its Melbourne, Australia premiere at the Australian Centre for the Moving Image on June 2nd during the 2013 Melbourne International Jazz Festival. Directed by Raymond Scott's son, STAN WARNOW, and co-produced by JEFF WINNER (me), the documentary features: JOHN WILLIAMS, multi-Academy Award®-winning movie soundtrack composer (JAWS, STAR WARS, HARRY POTTER), MARK MOTHERSBAUGH, Emmy Award®-winning movie & TV score writer, & co-founder of DEVO, DJ SPOOKY, aka PAUL D. MILLER, turntablist, producer, & author, and others. Details: here


Wednesday, May 01, 2013

Dance Heginbotham: Manhattan Research (August 8, 2013)


Dance Heginbotham, led by choreographer John Heginbotham, creates highly structured, technically rigorous, and theatrical dance works. On August 8, at Lincoln Center Out of Doors, the troupe presents the world premiere of Manhattan Research, a new work based on the music of Raymond Scott. LCOD describes the performance:
Best known for his Loony Tunes ditties, the composer, bandleader, and musical inventor’s spirit—leaping from zany to sultry—lives on with the Raymond Scott Orchestrette, whose dynamic performances of works like “Powerhouse” will provide the spark for Heginbotham’s vigor and humor. Athletic, meticulously rhythmic movement will run alongside cool, witty nods to the subject matter in Scott's melodies, instrumentation, and song titles.
The free concert takes place Thursday, August 8, 7:30 pm, at Damrosch Park Bandshell.

Hear the Orchestrette's album Pushbutton Parfait on Soundcloud.