The award-winning Raymond Scott documentary film, "DECONSTRUCTING DAD," will be screened during the 22nd Annual Tuscon International Jewish Film Festival on January 13th. TICKETS & INFO: HERE. Directed by Raymond Scott's son, STAN WARNOW, and co-produced by JEFF WINNER (me), the documentary features: JOHN WILLIAMS, multi-Academy Award®-winning movie soundtrack composer (JAWS,STAR WARS, HARRY POTTER), MARK MOTHERSBAUGH, Emmy Award®-winning movie & TV score writer, & co-founder of DEVO, DJ SPOOKY, aka PAUL D. MILLER, turntablist, producer, & author, and others.
Friday, January 04, 2013
Thursday, December 20, 2012
75 Years of Wooden Indians
On this date 75 years ago, Raymond Scott returned to CBS studios with his 6-man 'Quintette' to record "War Dance For Wooden Indians." This hit tune was released in 1937, and is consecrated into several classic LOONEY TUNES shorts including "The Odor-able Kitty," "Tom Tom Tomcat," "A Peck o' Trouble," and "Bye, Bye Bluebeard." Download the vintage Columbia recording from the iTunes store, or Amazon, and watch one of our favorite covers here:
Labels:
1930s,
75th anniversary,
archiving,
contemporary takes,
cover versions,
Europe,
MeanEnsemble
Thursday, November 29, 2012
It's Alive: Electronium Restoration Update
Yesterday I received an email from Darren Davidson, who is attempting to restore the Motown Electronium:
On Nov 28, 2012, at 1:18 PM, Darren Davison wrote:
Good Morning!
Last night a few Electrical/Engineering friends of mine and I were trying to get to the bottom of why the Electronium would still not utter a sound. After about an hour of tinkering and following the initial setup procedure Raymond wrote up, the machine began to make very simple and crude sounds. We recorded the sounds and although they are hardly musical, it is a fantastic milestone.
Most of the tone generators, but of course, there are more questions than answers. The voltages delivered by the power supplies are still not quite right and many of the pot switches are so sticky, that adjusting them is like steering a car in ice with a flat tire. The recording and "Auto-composing" portion is still not working and my feelings were "just get it to make some kind of controllable sound" first, then work on getting fancy.
I am sure this will accelerate things, and I have been in contact with Alan Entenman and am sending him photos of the internals of the Electronium in hopes of refreshing his memory of how some of it should work on the recording and keyboard side.
Anyway, I am hoping that by March, even if it is not recording or auto composing, the sounds are less harsh and that some of the other features such as the "Bass generators, "counterpoints", and other features are working.
I will send a copy of the sound files as soon as I can, most likely this evening. It's on the Engineering guys phone and he is having trouble sending vide for some reason. The whole thing was recorded on an Iphone and there is a 4 min? video of me adjusting knobs and such. In all fairness to their help, their names are Guy Lewis and Pete Levno.
Now I think we will start picking up steam!
—Darren
Last night a few Electrical/Engineering friends of mine and I were trying to get to the bottom of why the Electronium would still not utter a sound. After about an hour of tinkering and following the initial setup procedure Raymond wrote up, the machine began to make very simple and crude sounds. We recorded the sounds and although they are hardly musical, it is a fantastic milestone.
Most of the tone generators, but of course, there are more questions than answers. The voltages delivered by the power supplies are still not quite right and many of the pot switches are so sticky, that adjusting them is like steering a car in ice with a flat tire. The recording and "Auto-composing" portion is still not working and my feelings were "just get it to make some kind of controllable sound" first, then work on getting fancy.
I am sure this will accelerate things, and I have been in contact with Alan Entenman and am sending him photos of the internals of the Electronium in hopes of refreshing his memory of how some of it should work on the recording and keyboard side.
Anyway, I am hoping that by March, even if it is not recording or auto composing, the sounds are less harsh and that some of the other features such as the "Bass generators, "counterpoints", and other features are working.
I will send a copy of the sound files as soon as I can, most likely this evening. It's on the Engineering guys phone and he is having trouble sending vide for some reason. The whole thing was recorded on an Iphone and there is a 4 min? video of me adjusting knobs and such. In all fairness to their help, their names are Guy Lewis and Pete Levno.
Now I think we will start picking up steam!
—Darren
Labels:
archiving,
artifacts,
electronics,
Electronium
Wednesday, November 21, 2012
New release: "SUITE FOR VIOLIN & PIANO"
Raymond Scott created a diverse body of work that included jazz novelties (often considered "cartoon music"), orchestral ballads, a Broadway musical, film scores, commercial jingles, electronic miniatures, and avant-garde musique concrète. However, the Suite for Violin and Piano, composed in 1950 and never commercially released, was unique in his catalog.
The same daredevil who gave the world “The Toy Trumpet” and “Powerhouse” composed this exquisitely crafted classical jewel. True, Scott was a 1931 Juilliard grad, but the closest his prior compositions had inched towards the classics were jazzed-up reinventions of Mozart, Verdi, and Schubert.
The five-movement work was publicly performed just once, at Carnegie Hall in 1950, by renowned violinist Arnold Eidus and pianist Carlo Bussotti. The work was then recorded by Eidus and Bussotti, under the supervision of the composer. However, Scott did not release it commercially for reasons historically unknown.
In 2004, after Scott's widow, Mitzi, discovered the score at home, a new recording was produced by Beau Hunks Orchestra leader Gert-Jan Blom in the Netherlands, featuring violinist Davide Rossi and pianist Ramon Dor.
The two versions are now coupled on this new Basta release. The package is adorned with vintage 1940s and '50s music illustrations by noted artist Jim Flora, and features liner notes co-written by Gert-Jan Blom and Scott authority Irwin Chusid.
Producer: Gert-Jan Blom
Executive Producer: Jeroen van der Schaaf
Art Direction: Piet Schreuders
Illustrations: Jim Flora
Research: Irwin Chusid and Jeff E. Winner
On a special note, we are offering free copies of the sheet music at http://bastamusic.com/suiteExecutive Producer: Jeroen van der Schaaf
Art Direction: Piet Schreuders
Illustrations: Jim Flora
Research: Irwin Chusid and Jeff E. Winner
• Get the CD or download from Amazon.com here, or the iTunes Store: here
Labels:
1940s,
1950s,
75th anniversary,
archiving,
Basta,
compositions,
concerts,
Suite for Violin and Piano
Sunday, November 18, 2012
Live WZBC Radio Special with
Jeff E. Winner & Tom Rhea:
75th Anniversary Event
To celebrate the 75th anniversary of Raymond Scott's music, Brian Carpenter hosted a live 3-hour WZBC radio special — co-hosted by Jeff E. Winner (me) of the RS Archives, and Tom Rhea (Berklee, MOOG Music), with special guests: J.G. Thirlwell (FOETUS, STEROID MAXIMUS), DJ Spooky, Stu Brown, Will Friedwald, Daniel Goldmark, Irwin Chusid, and David Harrington (KRONOS QUARTET).
• LISTEN HERE: The show can now be streamed:
Wednesday, October 17, 2012
"30 ROCK"
During the 1950s, Raymond Scott was seen by millions of television viewers every week on the show YOUR HIT PARADE, which was filmed at NBC's Studio 8H located at 30 Rockefeller Center in NYC. On October 18th, Scott's music returns to primetime NBC-TV — his tune "Rococo" will make a cameo on the hit series, 30 ROCK. The show was created by Tina Fey, based upon her experiences on Saturday Night Live, which is also filmed in Studio 8H in the '30 Rock' building. As Executive Producer and Composer, Jeff Richmond says, "I write all the music for 30 ROCK and I wanted to thank you for the Raymond Scott piece. Truly hip. It has a very important use. It's at the end and helps tie all the story lines together." UPDATE: Watch the entire episode: here.
Tuesday, October 16, 2012
New "Looney Tunes: Platinum Collection Volume Two" 3-DVD Blu-ray set
Is there a cartoon geek on your holiday shopping list? The new "LOONEY TUNES: PLATINUM COLLECTION Volume Two" 3-DVD Blu-ray set is released today. Watch side-by-side remastering comparison of "Canned Feud" — featuring Raymond Scott's hit tune, "Huckleberry Duck" — below:
Labels:
archiving,
cartoons,
DVD,
video,
Warner Bros.
Wednesday, October 10, 2012
Walt Disney Concert Hall show in LA:
Oingo Boingo's Steve Bartek & Ego Plum
Press release from Walt Disney Concert Hall:
LOS ANGELES, CA — REDCAT, CalArts’ downtown center for contemporary arts, presents in cooperation with JEFF E. WINNER of The Raymond Scott Archives, a special evening celebrating pioneer of electronic music Raymond Scott. Machine-Man: The Musical Mayhem of Raymond Scott will be held at the Roy and Edna Disney/CalArts Theater on Friday, November 9 at 8:30 pm.
Though musical shape-shifter Raymond Scott may no longer be a household name, his inimitable “cartoon jazz” is instantly recognized by millions: it has been adapted to underscore the antics of BUGS BUNNY, DAFFY DUCK, REN & STIMPY, THE SIMPSONS, and many other cartoon characters for 75 years. Scott, moreover, was an inventor of instruments and a pioneer of electronic music.
In this unprecedented celebration of Scott’s polymorphic career, former OINGO BOINGO co-founder and guitarist STEVE BARTEK and his band (including other Oingo Boingo alums) find new takes on the composer’s early cartoon classics, while composer EGO PLUM’s ensemble re-envisions Scott’s farsighted electronica. Joining in is the Rogue Artists Ensemble who will stage a first-ever live interpretation of a vintage Scott film collaboration with MUPPETS creator JIM HENSON.
Event webpage on REDCAT.ORG:
http://www.redcat.org/event/raymond-scott-tribute
Labels:
75th anniversary,
concerts,
contemporary takes,
cover versions
Wednesday, October 03, 2012
24th Annual Earshot Jazz Film Festival
The award-winning documentary film, "DECONSTRUCTING DAD," will be screened twice during the 24th Annual Earshot Jazz Film Festival at the Northwest Film Forum on Saturday, October 27th, and Sunday, October 28th. The Film Forum is Seattle's premier film arts organization, known for “adventurous, spot-on programming” (Jazz Times) and praised as "one of the best festivals in America" (Seattle Times) the Earshot Jazz Festival brings concerts by some of the most important and emerging artists in the world, a series of rare jazz films, photo exhibits, panel discussions, educational programs and more. TICKETS: HERE
Directed by Raymond Scott's son, STAN WARNOW, and co-produced by JEFF WINNER (me), the documentary features: JOHN WILLIAMS, multi-Academy Award®-winning movie soundtrack composer (JAWS, STAR WARS, HARRY POTTER), MARK MOTHERSBAUGH, Emmy Award®-winning movie & TV score writer, & co-founder of DEVO, DJ SPOOKY, aka PAUL D. MILLER, turntablist, producer, & author, and others.
Wednesday, September 12, 2012
6th Annual Buffalo International Film Festival at The Screening Room Cinema
Directed by Raymond Scott's son, STAN WARNOW, and co-produced by JEFF WINNER (me), the documentary features: JOHN WILLIAMS, multi-Academy Award®-winning movie soundtrack composer (JAWS, STAR WARS, HARRY POTTER), MARK MOTHERSBAUGH, Emmy Award®-winning movie & TV score writer, & co-founder of DEVO, DJ SPOOKY, aka PAUL D. MILLER, turntablist, producer, & author, and others.
Wednesday, August 08, 2012
New Documentary Film Reviews
★ ★ ★ ★ ★
“Heartfelt documentary… This well-made film argues that Scott’s most significant achievements were his inventions of electronic instruments.”
—THE NEW YORK TIMES, Stephen Holden
★ ★ ★ ★ ★
“Both an exhaustive exhumation of a forgotten 20th-century genius and a tender, bittersweet requiem for a fractured family.”
—THE WALL STREET JOURNAL, Bruce Bennett
★ ★ ★ ★ ★
“On a personal level, this film tells a fascinating tale. The focus on Scott’s music and electronic experimentation remains strong throughout, thanks to an eclectic roster of musicians and scholars including JOHN WILLIAMS, JEFF E. WINNER, MARK MOTHERSBAUGH, and DJ SPOOKY.”
—VARIETY, Ronnie Scheib
★ ★ ★ ★ ★
“A beautiful, personal look back on the man’s career; it’s essential viewing.”
—TIME OUT NEW YORK, Bruce Tantum
★ ★ ★ ★ ★
“Personal discoveries, never-before-seen archival footage, and in-depth insights from a range of historians and collaborators shed light on one of the most intriguing composers and musical innovators of the 20th century.”
—WIRED magazine, Geeta Dayal
★ ★ ★ ★ ★
“Undeniably poignant, providing plenty of fascinating details.”
—THE HOLLYWOOD REPORTER, Frank Scheck
★ ★ ★ ★ ★
“Pays lavish tribute to the work of Raymond Scott.”
—NEW YORK POST, Lou Lumenick
★ ★ ★ ★ ★
“Informative and entertaining, it tells a loving, resonant story of an American original.”
—HUFFINGTON POST, Regina Weinreich
★ ★ ★ ★ ★
“A work of careful consideration, moral weighing, and deliberateness of craft.”
—SLANT magazine, Kalvin Henely
★ ★ ★ ★ ★
“It is a fascinating primer on Scott’s work. A portrait of Scott as a multi-hyphenate musical prodigy.”
—VILLAGE VOICE, Simon Abrams
★ ★ ★ ★ ★
“The film ignites interest in anyone who sees it.”
—WNYC, Leonard Lopate
★ ★ ★ ★ ★
“An offbeat, intimate documentary.”
—NEW YORK magazine
★ ★ ★ ★ ★
“An enthralling, poignant film that tells the story of a truly pivotal figure in 20th-century music. An essential view inside the wonders of creative genius, American-style.”
—LA WEEKLY, John Payne
★ ★ ★ ★ ★
“A very powerful, honest, direct, and personal documentary film.”
—NPR, Radio Times, Marty Moss-Coane
★ ★ ★ ★ ★
“A fascinating look at a musical genius and the way he lived his life. This absorbing, highly personal documentary is well worth checking out. I thoroughly enjoyed it.”
—LEONARD MALTIN, film critic, historian, and author
★ ★ ★ ★ ★
“Raymond Scott isn’t a fascinating figure to tech-heads and crate-diggers alone — to this day, he continues to mystify even his own son, a veteran filmmaker. Through interviews with the likes of MARK MOTHERSBAUGH and JOHN WILLIAMS — as well as his own family members — the younger Warnow pieces together a portrait of an artist neither he nor his father’s fans fully understand.”
—THE ONION AV Club
★ ★ ★ ★ ★
“A beautifully-produced testament to the legacy of an extremely brilliant musician and innovator. It scarcely seems possible that this much genius was crammed into a single brain, but this film captures it all in glorious detail. It all adds up to a 98-minute viewing experience that at times finds one awestruck. It’s a safe bet that, pending eligibility, a much-deserved Oscar nomination is just around the corner. By all means, SEE THIS FILM!”
—NITELIFE EXCHANGE, Andrew Martin
★ ★ ★ ★ ★
“In a bittersweet paean to his late father, the director has taken great pains assembling a visual and aural composite of his subject. The insights afforded by Raymond Scott’s own son add shades of intrigue and pathos not found in the average music documentary.”
—THE WIRE magazine, Erik Morse
★ ★ ★ ★ ★
Tuesday, July 31, 2012
Movie Theater Screening of Documentary Film at the Hippodrome in Florida
http://thehipp.org/Calendar/cinema/817
http://thehipp.org/Calendar/special-events/819
The Hippodrome, referred to by locals as "the Hipp", is a regional professional theatre located in the restored 1912 Federal Building, which is listed on the National Register of Historic Places. The Hipp screens first-run foreign, limited release and avant-garde films (over 700 per year).
Monday, July 30, 2012
Dorothy Collins: Experiment Songs
In 1961, veteran songwriters Hy Zaret and Lou Singer produced an entertaining and educational series of LPs entitled Ballads for the Age of Science. Marketed at curious youngsters, the songs explained nature, energy, motion, outer space, and weather in a variety of musical arrangements, delivered by folksingers Tom Glazer, Dottie Evans, and the husband-wife duo of Marais and Miranda.
One volume, Experiment Songs, was sung by Raymond Scott's then-wife, Dorothy Collins. In a warm, endearing voice, Collins sang about magnets, rainbows, planetary orbits, vibration, and minerals. To our ears, this is some of the most charming singing by Dorothy Collins ever captured on disc. She is accompanied by a small orchestra led by guitarist Tony Mottola (who formerly played with Raymond's big band).
The albums have long been out of print. However, earlier this year I came to an agreement with the late Hy Zaret's son Robert to reissue the series. Working with best-available source recordings, I digitally restored all six albums, which are now available at iTunes and elsewhere. We're hoping to reissue the series on vinyl at some point.
You can hear samples and purchase tracks (or the complete album) of Experiment Songs here.
One volume, Experiment Songs, was sung by Raymond Scott's then-wife, Dorothy Collins. In a warm, endearing voice, Collins sang about magnets, rainbows, planetary orbits, vibration, and minerals. To our ears, this is some of the most charming singing by Dorothy Collins ever captured on disc. She is accompanied by a small orchestra led by guitarist Tony Mottola (who formerly played with Raymond's big band).
The albums have long been out of print. However, earlier this year I came to an agreement with the late Hy Zaret's son Robert to reissue the series. Working with best-available source recordings, I digitally restored all six albums, which are now available at iTunes and elsewhere. We're hoping to reissue the series on vinyl at some point.
You can hear samples and purchase tracks (or the complete album) of Experiment Songs here.
Wednesday, July 18, 2012
New video — Mitzi Scott: "An American Girl on the Home Front"
Today would have been Mitzi Scott's 94th birthday, and in her honor I've uploaded a superb mini-documentary — watch it here <<<
Warner Bros. produced the movie, MOLLY: AN AMERICAN GIRL ON THE HOME FRONT, as part of the American Girl series. Molly is a young aspiring dancer in a small midwestern town during World War II, who passionately wants to win the starring role of "Miss Victory" in her grade school's Christmas gala tap dance review. (Cast includes Molly Ringwald.) For the DVD, they searched for an entertainer from those years, and were lucky to find Mitzi, Raymond Scott's 3rd wife: "A compelling documentary featuring Mitzi Scott, an 88-year-old former USO dancer and hostess, relaying her personal history of dancing at home and with soldiers on leave, making something personal and dear to her — dance — into the ultimate patriotic act."
Warner Bros. produced the movie, MOLLY: AN AMERICAN GIRL ON THE HOME FRONT, as part of the American Girl series. Molly is a young aspiring dancer in a small midwestern town during World War II, who passionately wants to win the starring role of "Miss Victory" in her grade school's Christmas gala tap dance review. (Cast includes Molly Ringwald.) For the DVD, they searched for an entertainer from those years, and were lucky to find Mitzi, Raymond Scott's 3rd wife: "A compelling documentary featuring Mitzi Scott, an 88-year-old former USO dancer and hostess, relaying her personal history of dancing at home and with soldiers on leave, making something personal and dear to her — dance — into the ultimate patriotic act."
The 2nd part of this Vimeo video is an excerpt from the full-length documentary film, DECONSTRUCTING DAD, with Mitzi remembering her first date with — and marriage to — Raymond Scott. [DVD info: ScottDoc.com]
Both clips were screened at the reception following Mitzi's memorial service on June 22, 2012.
Labels:
1940s,
archiving,
biography,
documentary,
Mitzi Scott
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